Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
Arthur MillerRead
Amos Oz is one of the finest novelists of this entire period. MY MICHAEL is a beautiful work of great depth and in some indescribable way lingers in the mind as a lyric song to his country's people as much as a moving love story.
Interpretation
Arthur Miller praises Amos Oz's novel 'MY MICHAEL' for its depth and emotional resonance.
In this quote, Arthur Miller highlights the exceptional quality of Amos Oz's novel 'MY MICHAEL', describing it as a profound literary work that resonates deeply with readers. He suggests that the novel not only serves as a compelling love story but also reflects the essence of the people of Oz's homeland, elevating it to the status of a beautiful song that lingers in one's thoughts.
In practice
In a literary discussion about the best novels of contemporary literature, one might quote Miller's praise of 'MY MICHAEL'.
Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
The word "now" is like a bomb through the window, and it ticks.
Just remember, kid, you can quicker get back a million dollars that was stole than a word that you gave away.
Oh,Elizabeth, your justice would freeze beer.
The structure of a play is always the story of how the birds came home to roost.
Immortality is like trying to carve your initials in a block of ice in the middle of July.
I am trying to make clear through my writing something which I believe: that biography- history in general- can be literature in the deepest and highest sense of that term.
I think often people don't realize the great diversity of Southern writing because in their minds, if you're not from the South, it can seem regional and small, and of course that's not the case at all when you start to read the work.
It's difficult to tell the truth about how a book begins. The truth, as far as it can be presented to other people, is either wholly banal or too intimate.
I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published.
Because of writers like Chinua Achebe and Camara Laye … I realized that people like me, girls with skin the color of chocolate, whose kinky hair could not form ponytails, could also exist in literature.
All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.
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