Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
Arthur MillerRead
The structure of a play is always the story of how the birds came home to roost.
Interpretation
This quote reflects the idea that a play's narrative often reveals the consequences of past actions.
Arthur Miller suggests that the core structure of a play revolves around the unfolding of events that ultimately lead characters to confront the repercussions of their earlier decisions. The metaphor of 'birds coming home to roost' indicates that actions have consequences that return to affect the individuals who instigated them, making for a compelling narrative in theater that mirrors life's complexities.
In practice
During a discussion about the themes in Arthur Miller's plays, one might use this quote to illustrate the importance of consequences.
Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
The word "now" is like a bomb through the window, and it ticks.
Amos Oz is one of the finest novelists of this entire period. MY MICHAEL is a beautiful work of great depth and in some indescribable way lingers in the mind as a lyric song to his country's people as much as a moving love story.
Just remember, kid, you can quicker get back a million dollars that was stole than a word that you gave away.
Oh,Elizabeth, your justice would freeze beer.
Immortality is like trying to carve your initials in a block of ice in the middle of July.
If you're going to perform inception, you need imagination. You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art.
I want to reach as many people as possible with the message of music, of wonderful opera.
Art is magic delivered from the lie of being truth.
All writers write about the past, and I try to make it come alive so you can see what happened.
If you find yourself asking yourself (and your friends), "Am I really a writer? Am I really an artist?" chances are you are. The counterfeit innovator is wildly self-confident. The real one is scared to death.
I've made a career writing about fictitious anti-heroes. To create these worlds, I've spent a lot of time with active members on both sides of the law. And if I had to pick the most interesting of the two, the choice is obvious - we all love the guys in black.
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