Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
Arthur MillerRead
The structure of a play is always the story of how the birds came home to roost.
Interpretation
This quote reflects the idea that a play's narrative often reveals the consequences of past actions.
Arthur Miller suggests that the core structure of a play revolves around the unfolding of events that ultimately lead characters to confront the repercussions of their earlier decisions. The metaphor of 'birds coming home to roost' indicates that actions have consequences that return to affect the individuals who instigated them, making for a compelling narrative in theater that mirrors life's complexities.
In practice
During a discussion about the themes in Arthur Miller's plays, one might use this quote to illustrate the importance of consequences.
Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
The word "now" is like a bomb through the window, and it ticks.
Amos Oz is one of the finest novelists of this entire period. MY MICHAEL is a beautiful work of great depth and in some indescribable way lingers in the mind as a lyric song to his country's people as much as a moving love story.
Just remember, kid, you can quicker get back a million dollars that was stole than a word that you gave away.
Oh,Elizabeth, your justice would freeze beer.
Immortality is like trying to carve your initials in a block of ice in the middle of July.
I discovered that the most interesting music of all was made by simply lining the loops in unison, and letting them slowly shift out of phase with other.
But, in each case, as a filmmaker who's been given sizable budgets with which to work, I feel a responsibility to the audience to be shooting with the absolute highest quality technology that I can and make the film in a way that I want.
Cubism did not accept the logical consequences of its own discoveries; it was not developing abstraction towards its own goal, the expression of pure reality.
Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.
Drama lies in extreme exaggeration of the feelings, an exaggeration that dislocates flat everyday reality.
As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
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