Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
Arthur MillerRead
The structure of a play is always the story of how the birds came home to roost.
Interpretation
This quote reflects the idea that a play's narrative often reveals the consequences of past actions.
Arthur Miller suggests that the core structure of a play revolves around the unfolding of events that ultimately lead characters to confront the repercussions of their earlier decisions. The metaphor of 'birds coming home to roost' indicates that actions have consequences that return to affect the individuals who instigated them, making for a compelling narrative in theater that mirrors life's complexities.
In practice
During a discussion about the themes in Arthur Miller's plays, one might use this quote to illustrate the importance of consequences.
Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
The word "now" is like a bomb through the window, and it ticks.
Amos Oz is one of the finest novelists of this entire period. MY MICHAEL is a beautiful work of great depth and in some indescribable way lingers in the mind as a lyric song to his country's people as much as a moving love story.
Just remember, kid, you can quicker get back a million dollars that was stole than a word that you gave away.
Oh,Elizabeth, your justice would freeze beer.
Immortality is like trying to carve your initials in a block of ice in the middle of July.
Some may find them merely diverting melodies. Others may find them incitements to Red revolution. And who will say if either or both is wrong? Not I.
You are either born a writer or you are not.
I do my best work when I feel conviction to say something through the character I play. Always I want to have integrity and not compromise that.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
I would that my photographs might be, not the coverage of a news event, but an indictment of war - the brutal corrupting viciousness of its doing to the minds and bodies of men; and, that my photographs might be a powerful emotional catalyst to the reasoning which would help this vile and criminal stupidity from beginning again.
I have been given a lot of roles that are downtrodden, mammy-ish. A lot of lawyers or doctors who have names but absolutely no lives. You're going to get your three or four scenes; you're not going to be able to show what you can do.
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