Long live teachers of children, because they can show children how they can save the world.
Pete SeegerRead
Some may find them merely diverting melodies. Others may find them incitements to Red revolution. And who will say if either or both is wrong? Not I.
Interpretation
The quote reflects on how music can be interpreted in multiple ways, revealing its power and the subjective nature of art.
In this quote, Pete Seeger acknowledges the diverse perceptions of music, highlighting that while some individuals may view songs as mere entertainment, others may see them as powerful calls to action or social change. He emphasizes the importance of personal interpretation and the notion that there is no singular correct perspective regarding the impact of music.
In practice
This quote can be used in a discussion about the role of music in social movements during a lecture.
Long live teachers of children, because they can show children how they can save the world.
According to my definition of God, I'm not an atheist. Because I think God is everything. Whenever I open my eyes, I'm looking at God. Whenever I'm listening to something, I'm listening to God.
Songs are funny things. They can slip across borders. Proliferate in prisons. Penetrate hard shells. I always believed that the right song at the right moment could change history.
Well, normally I’m against big things. I think the world is going to be saved by millions of small things. Too many things can go wrong when they get big.” — Pete Seeger (on how he felt about attending his big 90th birthday bash last year)
I’ve never sung anywhere without giving the people listening to me a chance to join in - as a kid, as a lefty, as a man touring the U.S.A. and the world, as an oldster. I guess it’s kind of a religion with me. Participation. That’s what’s going to save the human race.
I write a song because I want to. I think the moment you start writing it to make money, you're starting to kill yourself artistically.
I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
I've never put out a song that I wasn't completely proud of and that I didn't love. In that sense, I've never felt like I sold out in any way.
Behind every exquisite thing that existed, there was something tragic.
I get that same queasy, nervous, thrilling feeling every time I go to work. That's never worn off since I was 12 years-old with my dad's 8-millimeter movie camera.
I never consciously place symbolism in my writing. That would be a self-conscious exercise and self-consciousness is defeating to any creative act. Better to get the subconscious to do the work for you, and get out of the way. The best symbolism is always unsuspected and natural. During a lifetime, one saves up information which collects itself around centers in the mind; these automatically become symbols on a subliminal level and need only be summoned in the heat of writing.
Once a novel gets going and I know it is viable, I don't then worry about plot or themes. These things will come in almost automatically because the characters are now pulling the story.
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