Long live teachers of children, because they can show children how they can save the world.
Pete SeegerRead
I’ve never sung anywhere without giving the people listening to me a chance to join in - as a kid, as a lefty, as a man touring the U.S.A. and the world, as an oldster. I guess it’s kind of a religion with me. Participation. That’s what’s going to save the human race.
Interpretation
The quote emphasizes the importance of participation and community in music and life.
Pete Seeger's quote highlights his belief in the transformative power of musical participation. Throughout his life, he has seen music as an opportunity to bring people together, creating a sense of community and shared experience. He suggests that this collective engagement is vital for humanity's survival, implying that when individuals unite and contribute, they foster hope and change in the world.
In practice
During a community music event to encourage local engagement.
Long live teachers of children, because they can show children how they can save the world.
According to my definition of God, I'm not an atheist. Because I think God is everything. Whenever I open my eyes, I'm looking at God. Whenever I'm listening to something, I'm listening to God.
Songs are funny things. They can slip across borders. Proliferate in prisons. Penetrate hard shells. I always believed that the right song at the right moment could change history.
Well, normally I’m against big things. I think the world is going to be saved by millions of small things. Too many things can go wrong when they get big.” — Pete Seeger (on how he felt about attending his big 90th birthday bash last year)
I write a song because I want to. I think the moment you start writing it to make money, you're starting to kill yourself artistically.
Do-so is more important than say-so.
No one can be a painter unless he cares for painting above all else.
Poetry demands a different material than prose. It uses another facet of the same fact... the spontaneous conformation of language as it is heard.
Drama criticism ... is a self-knowing account of the way in which one's consciousness has been modified during an evening at the theatre.
But that's not what an actor does. An actor finds things in the moment with a director and other actors that you don't have time to hand-draw or animate with a computer.
Revision has its own peculiar pleasures and its own peculiar frustrations. The ground rules are already established; the characters already exist. You don't have to bring the characters to life, but you do have to make them more convincing.
An artist's sphere of influence is the world.
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