Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.
George LucasRead
The secret to film is that it's an illusion.
Interpretation
Film creates a reality that may not be true, but evokes emotional responses.
George Lucas suggests that film is fundamentally an illusion, meaning that what audiences experience on screen is not real life but rather a crafted representation intended to manipulate feelings and perceptions. This understanding emphasizes the artistry behind filmmaking, where directors and storytellers create immersive worlds that can evoke genuine emotions, despite being purely fictional.
In practice
During a film festival discussion on the art of storytelling in cinema.
Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.
When you are a beginning film maker you are desperate to survive. The most important thing in the end is survival and being able to get to your next picture.
The technology keeps moving forward, which makes it easier for the artists to tell their stories and paint the pictures they want.
I've come to the conclusion that mythology is really a form of archaeological psychology. Mythology gives you a sense of what a people believes, what they fear.
I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be.
So this is how liberty dies. With thunderous applause.
As a composer at a point where I can absolutely pick and choose what I want to do, I don't want to write about anybody I don't care about.
I always had a knack for improvisation. I can write down the notes I play, but never really had a proper academic musical background. I suppose I'm blessed and cursed by the fact I have that freedom.
I knew that I was 'interesting' at 18 because I was aware that I could get away with doing things on stage.
The main thing about directing is: photograph the people's eyes.
What I do is rooted in magic - it's got a big foot planted firmly in conjuring, even if the other foot's planted in psychological techniques.
I love the idea of thinking of cinema as not that far from music. A lot of my favourite movie makers, the way they move their cameras or the way they cut just feel very musical - even if the movies have no music in them at all.
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