Jump off. You are a protected individual. Do not fear.
Henry MillerRead
The essential thing is to WANT to sing. This then is a song. I am singing.
Interpretation
The desire to express oneself creatively is what truly matters in art.
Henry Miller emphasizes that the most important aspect of creating art, in this case, singing, is the genuine desire to do so. This passion for creation is what transforms mere thoughts or intentions into actual artistry; the act of wanting to sing itself becomes the essence of the song.
In practice
During a speech about artistic pursuits, one could use this quote to highlight the importance of passion in creativity.
Jump off. You are a protected individual. Do not fear.
I saw through to the last sign and symbol, but I could not read her face. I could see only the eyes shining through, huge, fleshy-like luminous beasts, as though I were swimming behind them in the electric effluvia of her incandescent vision.
Great God! What have I turned into? What right have you people to clutter up my life, steal my time, probe my soul, suckle my thoughts, have me for your companion, confidant, and information bureau? What do you take me for? Am I an entertainer on salary, required every evening to play an intellectual farce under your stupid noses? Am I a slave, bought and paid for, to crawl on my belly in front of you idlers and lay at your feet all that I do and all that I know?
We are swimming on the face of time and all else has drowned, is drowning, or will drown.
To sing you must first open your mouth. You must have a pair of lungs, and a little knowledge of music. It is not necessary to have an accordion, or a guitar. The essential thing is to want to sing. This then is a song. I am singing.
What are our conductors giving us year after year? Only fresh corpses. Over these beautifully embalmed sonatas, toccatas, symphonies and operas the public dance the jitterbug. Night and day without let the radio drowns us in a hog-wash of the most nauseating, sentimental ditties. From the churches comes the melancholy dirge of the dead Christ, a music which is no more sacred than a rotten turnip.
I can't be alone among fiction writers in regarding the world, so much weirder than anything we could make up, as beating us at our own game or in racking my brains over what could possibly constitute a contribution when novels pale before the newspaper.
You can't trust an artist that just makes good records.
Making lyrics feel natural, sit on music in such a way that you don't feel the effort of the author, so that they shine and bubble and rise and fall, is very, very hard to do. Whereas you can sit at the piano and just play and feel you're making art.
You have to write the story that's at the front of your head. There is no point in trying to write for the market; it won't ring true.
Jazz is a sideways glance at music. It's like being an architect, knowing the basis of design but understanding that the facade can be whatever you dream.
Painting is the frozen evidence of a performance.
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