It takes a wonderful brain and exquisite senses to produce a few stupid ideas.
George SantayanaRead
An artist is a dreamer consenting to dream of the actual world.
Interpretation
Artists translate their dreams and visions into reality, reflecting the world around them.
This quote by George Santayana highlights the role of artists as individuals who not only envision different realities and dreams but also choose to acknowledge and represent the world as it is. It suggests that the act of creation involves a consenting agreement to engage with both one's imagination and the tangible aspects of existence, bridging the gap between dreams and reality.
In practice
This quote resonates well in an art class discussion about the role of imagination in artistic expression.
It takes a wonderful brain and exquisite senses to produce a few stupid ideas.
The working of great institutions is mainly the result of a vast mass of routine, petty malice, self interest, carelessness and sheer mistake. Only a residual fraction is thought.
There is no cure for birth and death save to enjoy the interval. The dark background which death supplies brings out the tender colours of life in all their purity.
Not to believe in love is a great sign of dullness. There are some people so indirect and lumbering that they think all real affection rests on circumstantial evidence.
To feel beauty is a better thing than to understand how we come to feel it. To have imagination and taste, to love the best, to be carried by the contemplation of nature to a vivid faith in the ideal, all this is more, a great deal more, than any science can hope to be.
The vital straining towards an ideal, definite but latent, when it dominates a whole life, may express that ideal more fully than could the best chosen words.
Very often, footage that you have shot develops its own dynamic, it's own life, that is totally unexpected, and moves away from you're original intentions. And you have to acknowledge, yes, there is a child growing and developing and moving in a direction that isn't expected-accept it as it is and let it develop its own life.
In documentary filmmaking, there's a tradition of telling stories about victims. We often do that from a very patronizing place, but mostly we do it from a very selfish place, to reassure ourselves that our lives are in sympathy and solidarity with the victims.
He wanted to cry quietly but not for himself: for the words, so beautiful and sad, like music.
The beautiful feeling after writing a poem is on the whole better even than after sex, and that's saying a lot.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I want to make films without a single clear message, and films that are as close as possible to what it feels like to be alive. At least to me.
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