The heaventree of stars hung with humid nightblue fruit.
James JoyceRead
He wanted to cry quietly but not for himself: for the words, so beautiful and sad, like music.
Interpretation
The quote reflects on the profound emotional connection to beautiful yet melancholic words, akin to music.
In this quote, James Joyce expresses the deep emotional impact of language that evokes sadness and beauty. The act of wanting to cry for these words suggests an appreciation for their artistic quality, where the emotional resonance is felt not for personal reasons but for the inherent beauty and sadness they convey, similar to the stirring effect of music on the soul.
In practice
In a poetry reading, quoting this can emphasize the emotional depth of the poems being recited.
The heaventree of stars hung with humid nightblue fruit.
I think a child should be allowed to take his father's or mother's name at will on coming of age. Paternity is a legal fiction.
If he had smiled why would he have smiled? To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity.
Gentle lady, do not sing Sad songs about the end of love; Lay aside sadness and sing How love that passes is enough. Sing about the long deep sleep Of lovers that are dead, and how In the grave all love shall sleep: Love is aweary now.
I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.
The movements which work revolutions in the world are born out of the dreams and visions in a peasant's heart on the hillside.
Music and love are the only accomplishments of humanity which do not, in an absolute sense, have to be called attempts with unsuitable means.
I used to play flute and clarinet at school, and although I wasn't thinking about making a living or getting a pay cheque, I already knew I was going to play music all my life.
True alchemy lies in this formula: ‘Your memory and your senses are but the nourishment of your creative impulse’.
Nothing bad can happen to a writer. Everything is material.
I've always loved the idea that you think you know what you're looking at from a distance, yet when you come up close, it gets intricate and nutty and obscene and provocative.
I get so tired of people saying, 'Oh, you only make fantasy films and this and that', and I'm like, 'Well no, fantasy is reality', that's what Lewis Carroll showed in his work.
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