I originally wanted to embrace the imagery and forthrightness of rap music. There are some interesting, dynamic voices in rap. But I find most of it irresponsible in its overt violence and commercialization of anger. As artists, we believe we can will action through language. If that's the case, we have to take responsibility for what we say.
Interpretation
The quote emphasizes the responsibility of artists in how they express themselves, particularly in rap music, which can often portray violence and anger.
Yusef Komunyakaa reflects on his desire to harness the powerful imagery and directness found in rap music, yet acknowledges his concerns about its prevalent themes of violence and commercialization. He underscores the belief that artists possess the ability to influence action through their words, thus highlighting the moral obligation to consider the impact of their messages on society.
In practice
In a discussion about lyrical content in music, this quote could highlight the need for artists to be mindful of their influence.
Students often have such a lofty idea of what a poem is, and I want them to realize that their own lives are where the poetry comes from. The most important things are to respect the language; to know the classical rules, even if only to break them; and to be prepared to edit, to revise, to shape.
It wasn't a deliberate decision to become a poet. It was something I found myself doing - and loving. Language became an addiction.
We have to embrace the good over the bad. That has to be one's personal project.
I'm uncomfortable with the focus on the poet and not on the poem.
Poetry helps me understand who I am. It helps me understand the world around me. But above all, what poetry has taught me is the fact that I need to embrace mystery in order to be completely human.
Tonight I feel the stars are out_x000D_ to use me for target practice.
I write to create red in a world that often appears black and white.
When I went to see certain shows when I was a kid, they changed my life. They made me tap into that place inside myself that I was unable to get to, so music is that tool, that bridge, and that's the kind of music I'm interested in making.
If you watch any good player, they're using different parts of their body and working with instruments that respond to those movements. They're moving in many dimensions at once.
When I was young, I dreamt of being a starlet in Hollywood. But there comes a point in every African American's life when you realize the limitations, that you could only play maids or some little supporting role. Even Lena Horne couldn't get good parts.
I had so much fun doing Django, and I love westerns so much that after I taught myself how to make one, it's like, 'OK, now let me make another one now that I know what I'm doing.'
How are we going to make painters by lecturing to them? We are going to make questioners, doubters, and talkers. We are going to make painters by painting ourselves, and by showing the paintings of others. By working frankly from our convictions, we are going to make them work frankly from theirs.
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