Let me put it this way: when I read, I learned the world was not as small as my house. And that everybody in my home town was not representative of the way people in the world were raised. And that was what saved me.
Terry McmillanRead
Don't worry about how pretty (the story) sounds, how lilting it is, and the imagery, and the metaphor, all that. Most readers don't care. It's the people in your book that matter.
Interpretation
The essence of a story lies in its characters, not in its stylistic elements.
In this quote, Terry McMillan emphasizes that what truly captures a reader's attention is the authenticity and depth of the characters within a story, rather than the aesthetic qualities of the writing itself. She suggests that the emotional connection and relatability of characters are far more important than how the prose is crafted, urging writers to focus on character development over stylistic flourishes.
In practice
During a writing workshop, I reminded fellow writers that it’s the emotions of the characters that keep readers engaged.
Let me put it this way: when I read, I learned the world was not as small as my house. And that everybody in my home town was not representative of the way people in the world were raised. And that was what saved me.
The kind of writing that matters most to me is something you don't learn about. It's constantly coming out of what I don't know rather than what I do know.
l photograph what l do not wish to paint and l paint that which l cannot photograph.
She had caprices of a marvellous unexpectedness, and how is any one to imitate a caprice?
What's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.
I find in all the artists that I admire most a disturbing element, a distortion, giving evidence of a struggle . . . . In great art, this conflict is hidden, it is unresolved. All that is bursting with energy is disturbing - not perfect.
I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore and I am very squeamish about violence, but Tarantino's violence is actually funny.
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