Let me put it this way: when I read, I learned the world was not as small as my house. And that everybody in my home town was not representative of the way people in the world were raised. And that was what saved me.
Terry McmillanRead
Don't worry about how pretty (the story) sounds, how lilting it is, and the imagery, and the metaphor, all that. Most readers don't care. It's the people in your book that matter.
Interpretation
The essence of a story lies in its characters, not in its stylistic elements.
In this quote, Terry McMillan emphasizes that what truly captures a reader's attention is the authenticity and depth of the characters within a story, rather than the aesthetic qualities of the writing itself. She suggests that the emotional connection and relatability of characters are far more important than how the prose is crafted, urging writers to focus on character development over stylistic flourishes.
In practice
During a writing workshop, I reminded fellow writers that it’s the emotions of the characters that keep readers engaged.
Let me put it this way: when I read, I learned the world was not as small as my house. And that everybody in my home town was not representative of the way people in the world were raised. And that was what saved me.
In fact, most artists want to make things a bit more difficult for themselves as they go along, to challenge themselves.
If you write for God you will reach many men and bring them joy. If you write for men--you may make some money and you may give someone a little joy and you may make a noise in the world, for a little while. If you write for yourself, you can read what you yourself have written and after ten minutes you will be so disgusted that you will wish that you were dead.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
Etretat is becoming more and more amazing. Now is the real moment: the beach with all its fine boats; it is superb, and I am enraged not to be more skillful in rendering all this. I would need two hands and hundreds of canvases.
One has to guard against a formula that is good for everything, that can interpret reality in addition to the other arts, and that rather than creating can only result in a style, or a stylization.
I try to create characters people want to sit with, even if nothing is happening.
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