Give me hunger, pain and want, Shut me out with shame and failure From your doors of gold and fame, Give me your shabbiest, weariest hunger! But leave me a little love.
Carl SandburgRead
I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.
Interpretation
This quote reflects the journey of a poet who faced rejection but later recognized the validity of that criticism.
Carl Sandburg's quote illustrates the experience of an artist grappling with rejection. Initially, he faced the disappointment of having his poems dismissed by editors, but upon reflecting on those rejections years later, he came to understand and agree with the critics' judgments. This highlights the growth that can come from experiences of failure and the importance of self-reflection in the creative process.
In practice
This quote could be used in a speech about resilience in creative fields.
Give me hunger, pain and want, Shut me out with shame and failure From your doors of gold and fame, Give me your shabbiest, weariest hunger! But leave me a little love.
Nothing happens... but first a dream.
Read the dictionary from A to Izzard today. Get a vocabulary. Brush up on your diction. See whether wisdom is just a lot of language.
My name is Truth and I am the most elusive captive in the universe.
There is an eagle in me that wants to soar, and there is a hippopotamus in me that wants to wallow in the mud.
A liar goes in fine clothes, a liar goes in rags, a liar is a liar, clothes or no clothes.
Oh Woman, come before us, before our eyes longing for beauty, and tired of the ugliness of civilization, come in simple tunics, letting us see the line and harmony of the body beneath, and dance for us. Dance us the sweetness of life. Give us again the sweetness and the beauty of the true dance, give us again the joy of seeing the simple unconscious pure body of a woman. Like a great call it has come, and women must hear it and answer it.
Instead of using the machine as a metaphor for architecture, as Le Corbusier did, I use the human body. I want the public to know that it's them I'm designing for.
Most of my songs have names of people I've met or are dear to me. There are people who have privacy issues and about people knowing about their private life. But for me, I like to include few special names and few details about them to make the song very special to me.
Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object.
The most powerful words in English are 'Tell me a story,' words that are intimately related to the complexity of history, the origins of language, the continuity of the species, the taproot of our humanity, our singularity, and art itself.
Publishing is a very mysterious business. It is hard to predict what kind of sale or reception a book will have, and advertising seems to do very little good.
Subscribe for the occasional hand-picked quote. No noise.