Movies, they take years of my life, so I'm fortunate that I get to work in a lot of different mediums.
Spike JonzeRead
I want to make films without a single clear message, and films that are as close as possible to what it feels like to be alive. At least to me.
Interpretation
Spike Jonze expresses the desire to create films that capture the complexity of life rather than convey a simplistic message.
In this quote, Spike Jonze emphasizes his artistic intent to make films that reflect the nuanced and multifaceted experience of being alive. He prefers to eschew straightforward narratives in favor of a more authentic depiction of life, suggesting that true artistic expression lies in capturing the essence of human experience, which can be chaotic and ambiguous.
In practice
This quote can be used in a discussion about the purpose of cinema in art classes.
Movies, they take years of my life, so I'm fortunate that I get to work in a lot of different mediums.
If you compromise what you're trying to do just a little bit, you'll end up compromising a little more the next day or the next week, and when you lift your head you're suddenly really far away from where you're trying to go.
Whenever I start writing, I try to put together songs that feed the feeling of the movie.
I think if something's emotionally real - and I'm not even talking about in movies or in art, but in life - you can't really argue with that, even if your intellectual mind might know differently.
When I'm making stuff, the thing that excites me most is not the result, but the process and trying to do something I've never done before.
I think at the beginning of a project, you decide if you're in love with the idea and what it's about, or what you think it's about at that time at least. Then you commit to it, and once you've commit to it no matter what, no matter how many self doubts you have, you're in it. The ship's sailed, you can't turn around.
The eye can travel over the surface in a way parallel to the way it moves over nature. It should feel caressed and soothed, experience frictions and ruptures, glide and drift. One moment, there will be nothing to look at and the next second the canvas seems to refill, to be crowded with visual events.
I write music, itβs performed. After all, my music says it all. It doesnβt need historical and hysterical commentaries. In the long run, any words about music are less important than the music.
Jazz is the only music in which the same note can be played night after night but differently each time.
Mighty is geometry; joined with art, resistless.
A play, after all, is a mystery. There's no narration. And as soon as there's no narration, it's open to interpretation. It must be interpreted. You don't have a choice... Each play can become many things.
Artists love other artists. Shadow artists are gravitating to their rightful tribe but cannot yet claim their birthright. Very often audacity, not talent, makes one person an artist and another a shadow artist-hiding in the shadows, afraid to step out and expose the dream to the light, fearful that it will disintegrate to the touch.
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