If they cut off both hands, I will compose music anyway holding the pen in my teeth.
Dmitri ShostakovichRead
I write music, it’s performed. After all, my music says it all. It doesn’t need historical and hysterical commentaries. In the long run, any words about music are less important than the music.
Interpretation
Music speaks for itself and transcends verbal explanations.
Dmitri Shostakovich emphasizes the intrinsic value and power of music, suggesting that it conveys emotions and ideas more effectively than any analysis or commentary could. He believes that the essence of music lies in its ability to communicate directly with the listener, making any verbal interpretation secondary to the experience of the music itself.
In practice
During a music appreciation class, to emphasize the power of music over words.
If they cut off both hands, I will compose music anyway holding the pen in my teeth.
What you have in your head, put down on paper. The head is a fragile vessel.
When a man is in despair, it means that he still believes in something.
Real music is always revolutionary, for it cements the ranks of the people; it arouses them and leads them onward.
The best way to hold on to something is to pay no attention to it. The things you love too much perish. You have to treat everything with irony, especially the things you hold dear. There's more of a chance then that they'll survive.
Football is the ballet of the masses.
All writing is communication; creative writing is communication through revelation-it is the Self-escaping into the open.
Risk is at the heart of jazz. Every note we play is a risk.
If you're going to play human beings, and you're going to play them three-dimensionally, you have to show every side of them.
On the technical side, I hope that my writing is evolving and maturing, ripening, deepening.
When human beings have been fascinated by the contemplation of their own hearts, the more intricate biological pattern of the female has become a model for the artist, the mystic, and the saint. When mankind turns instead to what can be done, altered, built, invented, in the outer world, all natural properties of men, animals, or metals become handicaps to be altered rather than clues to be followed.
A strange thing has happened - while all the other arts were born naked, this, the youngest, has been born fully-clothed. It can say everything before it has anything to say. It is as if the savage tribe, instead of finding two bars of iron to play with, had found scattering the seashore fiddles, flutes, saxophones, trumpets, grand pianos by Erhard and Bechstein, and had begun with incredible energy, but without knowing a note of music, to hammer and thump upon them all at the same time.
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