But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
Eugenio MontaleRead
Art is the production of objects for consumption, to be used and discarded while waiting for a new world in which man will have succeeded in freeing himself of everything, even of his own consciousness.
Interpretation
Art reflects human existence and our evolving consciousness, often serving transient purposes.
Eugenio Montale's quote suggests that art is not just about creating lasting masterpieces, but rather about the process of production and consumption. It implies that art serves as a bridge to a future where humanity transcends its current limitations and ultimately finds freedom from materialism and even from the confines of self-awareness.
In practice
In a speech about the importance of creativity, one might say, 'As Montale asserts, art is the production of objects for consumption, reminding us of the transient nature of our experiences'.
But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
Mass communication, radio, and especially television, have attempted, not without success, to annihilate every possibility of solitude and reflection.
It has often been observed that the repercussion of poetic language on prose language can be considered a decisive cut of a whip.
I have always knocked at the door of that wonderful and terrible enigma which is life.
For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.
Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music - not like a record that you'd put on, which would play for a while and finish.
It's about the audience - if they laugh and clap, you feed off that, and if they don't, you doubt everything you've ever done.
I have come to the conclusion there is no point making anything if you're not going to make people laugh and cry.
A cluster of stars palely glowed above us, between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own.
One of the nice things about the Internet is you can do a comic that's just for Ph.D. students, or for truck drivers, and you get to reach all of them without having to satisfy the other 99%.
You're getting everyone's point of view at the same time, which for me, is the perfect state for a novel: a cubist state, the cubist novel.
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