Frankly I've never really subscribed to these adjectives tagging me as an 'icon', 'superstar', etc. I've always thought of myself as an actor doing his job to the best of his ability.
Amitabh BachchanRead
I like to feel the butterflies in the stomach, I like to go home and have a restless night and wonder how I'm going to be able to accomplish this feat, get jittery. That hunger and those butterflies in the stomach are very essential for all creative people.
Interpretation
The quote emphasizes the importance of excitement and nervousness in the creative process.
Amitabh Bachchan reflects on the feelings of anticipation and nervous energy that accompany creative endeavors. He suggests that these 'butterflies in the stomach' and the hunger for success are vital for creativity, indicating that discomfort and uncertainty can drive innovation and artistic expression.
In practice
In a motivational speech at a creative workshop.
Frankly I've never really subscribed to these adjectives tagging me as an 'icon', 'superstar', etc. I've always thought of myself as an actor doing his job to the best of his ability.
I think every actor would wish there is some challenge that is left. I would consider to be creatively dead if I were to say that I am satisfied now.
Please explain to me what being an icon is. How do you define it? I haven't been given a script. I don't know what the dialogues of an icon are.
Yes, every venture is always filled with apprehensions. But if we were to conduct ourselves continuously on that aspect, then we would lose the most important reason to be in this profession: to challenge the art of and be part of what is commonly known as our creative instincts.
People ask me why it is that when I portray the 'angry young man' on screen, I really look angry. They reason that it is due to some suppression in my childhood. But, it's just that I can't help it; it's in my genes.
I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
A lot of children don't have a developed aesthetic. I did. I made early choices in life, even about cloth; I liked flannel and not polyester.
I have always been resistant to doctrine, and any spirituality I had experienced thus far in my life had been much more abstract and not aligned with any recognized religion. For me, the most trustworthy vehicle for spirituality had always proven to be music. It cannot be manipulated, or politicized, and when it is, that becomes immediately obvious.
In my games I have sometimes found a combination intuitively simply feeling that it must be there. Yet I was not able to translate my thought processes into normal human language.
Mime makes the invisible, visible and the visible, invisible.
I value the people who are willing to make themselves vulnerable and share work that is sensitive and maybe even hard to sing sometimes. Because that's the music that provides the most solace and solidarity to the world.
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