Yes, every venture is always filled with apprehensions. But if we were to conduct ourselves continuously on that aspect, then we would lose the most important reason to be in this profession: to challenge the art of and be part of what is commonly known as our creative instincts.
Interpretation
Embrace challenges in creative ventures to fulfill your artistic instincts.
Amitabh Bachchan highlights that every artistic endeavor is fraught with fears and doubts. However, allowing these apprehensions to dictate our actions can prevent us from fully engaging with and expressing our creativity, which is the fundamental purpose of being in the creative field.
In practice
This quote can inspire artists to push through their doubts during a creative block.
I like to feel the butterflies in the stomach, I like to go home and have a restless night and wonder how I'm going to be able to accomplish this feat, get jittery. That hunger and those butterflies in the stomach are very essential for all creative people.
Frankly I've never really subscribed to these adjectives tagging me as an 'icon', 'superstar', etc. I've always thought of myself as an actor doing his job to the best of his ability.
I think every actor would wish there is some challenge that is left. I would consider to be creatively dead if I were to say that I am satisfied now.
Please explain to me what being an icon is. How do you define it? I haven't been given a script. I don't know what the dialogues of an icon are.
People ask me why it is that when I portray the 'angry young man' on screen, I really look angry. They reason that it is due to some suppression in my childhood. But, it's just that I can't help it; it's in my genes.
The stronger the participation of the female characters, the better the movie. They knew that in the old days, when women stars were equally as important as men.
To see the butcher slap the steak before he laid it on the block, and give his knife a sharpening, was to forget breakfast instantly. It was agreeable too - it really was - to see him cut it off so smooth and juicy. There was nothing savage in the act, although the knife was large and keen; it was a piece of art, high art; there was delicacy of touch, clearness of tone, skilful handling of the subject, fine shading. It was the triumph of mind over matter; quite.
You have to be free to play around with the notion that day might be night, love might be hate; nothing can be too sacred for the imagination to turn into its opposite or to call experimentally by another name. For writing is re-naming.
Visitation Street is urban opera writ large. Gritty and magical, filled with mystery, poetry and pain, Ivy Pochoda’s voice recalls Richard Price, Junot Diaz, and even Alice Sebold, yet it’s indelibly her own.
The composer opens the cage door for arithmetic, the draftsman gives geometry its freedom.
Journalism is not a precise science, it's a crude art
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