I think it's important for people to stay human and remember that genuine human connection is more fulfilling than anything that technology has to offer. We all have it within us, and music is something that can bring that out of us.
Jon BatisteRead
The music is really about sharing an experience. That's why we call it Stay Human. It's like we're sharing this genuine human exchange.
Interpretation
The quote emphasizes the importance of music as a means of connecting people through shared experiences.
Jon Batiste's quote reflects the essence of music as a communal activity that transcends individual expression. By referring to 'Stay Human,' he underscores the idea that music creates a platform for authentic human interaction and connection, inviting listeners to engage in a collective emotional journey, rather than merely consuming entertainment.
In practice
This quote can serve as an introduction in a speech about the power of music at a community event.
I think it's important for people to stay human and remember that genuine human connection is more fulfilling than anything that technology has to offer. We all have it within us, and music is something that can bring that out of us.
There's a tradition - in New Orleans it still exists - where people play in the street. People play outside of the venues. Food, music, and that cultural exchange, it happens anywhere.
In a live performance, it's a collaboration with the audience; you ride the ebb and flow of the crowd's energy. On television, you don't have that.
The beauty of jazz is that it can accommodate all styles. You can take jazz and put rock in it, and it's still jazz.
I'm from Kenner, Louisiana, where music is played for every occasion in life. There's music for being born, there's music for dying... It's just natural. Families get really good because they play a lot together.
The subway in New York is a great social experiment; there are so many races and ways of life sitting together on each car.
It's hard to really articulate what the parameters are that make one song parody-able and another song not, but if I can come up with a good enough idea for it, I go for it, and if not, then I have to move on.
I love singing jazz. I don't like the idea that classical music should be over here and jazz should be someplace else. It's all wonderful, and we should be open to enjoying it all.
But in the next world I shan't be doing music, with all the striving and disappointments. I shall be being it.
Form is, in a way, death. A novelist's obligation is to break free from the form, even though he knows that this will also be seen as artificial and distanced from life.
When I am writing, I am trying to find out who I am, who we are, what we're capable of, how we feel, how we lose and stand up, and go on from darkness into darkness. I'm trying for that. But I'm also trying for the language. I'm trying to see how it can really sound.
I began taking liberties a long time ago; now it is standard practice for most directors to ignore the rules.
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