I think it's important for people to stay human and remember that genuine human connection is more fulfilling than anything that technology has to offer. We all have it within us, and music is something that can bring that out of us.
Jon BatisteRead
The music is really about sharing an experience. That's why we call it Stay Human. It's like we're sharing this genuine human exchange.
Interpretation
The quote emphasizes the importance of music as a means of connecting people through shared experiences.
Jon Batiste's quote reflects the essence of music as a communal activity that transcends individual expression. By referring to 'Stay Human,' he underscores the idea that music creates a platform for authentic human interaction and connection, inviting listeners to engage in a collective emotional journey, rather than merely consuming entertainment.
In practice
This quote can serve as an introduction in a speech about the power of music at a community event.
I think it's important for people to stay human and remember that genuine human connection is more fulfilling than anything that technology has to offer. We all have it within us, and music is something that can bring that out of us.
There's a tradition - in New Orleans it still exists - where people play in the street. People play outside of the venues. Food, music, and that cultural exchange, it happens anywhere.
In a live performance, it's a collaboration with the audience; you ride the ebb and flow of the crowd's energy. On television, you don't have that.
The beauty of jazz is that it can accommodate all styles. You can take jazz and put rock in it, and it's still jazz.
I'm from Kenner, Louisiana, where music is played for every occasion in life. There's music for being born, there's music for dying... It's just natural. Families get really good because they play a lot together.
The subway in New York is a great social experiment; there are so many races and ways of life sitting together on each car.
I never heard my music played the way I heard it in my head.
I can think of numberless males, from Bonnard to Callahan, who have photographed their lovers and spouses, but I am having trouble finding parallel examples among my sister photographers. The act of looking appraisingly at a man, making eye contact on the street, asking to photograph him, studying his body, has always been a brazen venture for a woman, though, for a man, these acts are commonplace, even expected.
I believe that architecture, as anything else in life, is evolutionary. Ideas evolve; they don't come from outer space and crash into the drawing board.
It's becoming clearer and clearer to me that the world is there to be celebrated by writers, and in fact this is what all the good ones do, and that the great fashion for gloom and grimness was in fact a false path that certain writers took, I think in response to the horrors of the first half of the twentieth century.
I only type every third night. I have no plan. My mind is a blank. I sit down. The typewriter gives me things I don't even know I'm working on. It's a free lunch. A free dinner. I don't know how long it is going to continue, but so far there is nothing easier than writing.
When I paint a person, his enemies always find the portrait a good likeness.
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