Sustainability can't be like some sort of a moral sacrifice or political dilemma or a philanthropical cause. It has to be a design challenge.
Bjarke IngelsRead
I believe that architecture, as anything else in life, is evolutionary. Ideas evolve; they don't come from outer space and crash into the drawing board.
Interpretation
Architecture evolves over time through gradual changes rather than sudden bursts of inspiration.
Bjarke Ingels emphasizes that architecture, much like any other discipline, is not a static creation but rather a progressive journey. Ideas develop and grow from previous concepts, influenced by context and experience, rather than appearing fully formed without origin. This highlights the importance of evolution in creative processes.
In practice
In a lecture on design principles, one might use this quote to illustrate the importance of evolutionary thinking in creative fields.
Sustainability can't be like some sort of a moral sacrifice or political dilemma or a philanthropical cause. It has to be a design challenge.
One of the dilemmas of architecture in general is that there is a Catch-22 - you can't actually get to be commissioned to do certain types of building until you've already built that type of building. So it seems to be incredibly hard to get going.
For me, architecture is the means, not the end. It's a means of making different life forms possible.
Design our world so that we have positive social and environmental side effects.
In the big picture, architecture is the art and science of making sure that our cities and buildings fit with the way we want to live our lives.
I don't have to come up with the best idea. It is my job to make sure that it is always the best idea that wins.
So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say. But to sacrifice a hair of the head of your vision, a shade of its colour, in deference to some Headmaster with a silver pot in his hand or to some professor with a measuring-rod up his sleeve, is the most abject treachery, and the sacrifice of wealth and chastity which used to be said to be the greatest of human disasters, a mere flea-bite in comparison.
Prose is admittedly an art rooted in social intercourse, and a fiction writer is faster to find a common denominator with his cell mates than a poet is.
Revolutionary art and visionary physics are both investigations into the nature of reality.
I'm interested in art for all. I don't want it to be only the sons and daughters of Tory MPs who get to see my plays.
Abstract is not a style. I simply want to make a surface work. This is just a use of space and form: it's an ambivalence of forms and space.
From the very beginning, I was very interested just in light, and art seemed to be a way to work with it.
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