But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
Eugenio MontaleRead
For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.
Interpretation
Poetry emerges as a blend of music and speech, rooted in primal human expression.
Eugenio Montale suggests that poetry is an essential form of artistic expression, deeply connected to music and the rhythmic patterns that echo our earliest forms of communication. He emphasizes that the evolution of poetry is an extension of music, highlighting how vocal sounds have been interwoven into human cultural expressions from ancient times.
In practice
During a poetry reading, one might introduce this quote to discuss the relationship between music and poetry.
But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
Mass communication, radio, and especially television, have attempted, not without success, to annihilate every possibility of solitude and reflection.
It has often been observed that the repercussion of poetic language on prose language can be considered a decisive cut of a whip.
I have always knocked at the door of that wonderful and terrible enigma which is life.
Man cannot produce a single work without the assistance of the slow, assiduous, corrosive worm of thought.
I believe in broken, fractured, complicated narratives, but I believe in narratives as a vehicle for truth, not simply as a form of entertainment, though I love entertainment, but also a way of conveying what needs to be conveyed about the works that I care about.
Islamic culture has given us majestic arches and soaring spires; timeless poetry and cherished music; elegant calligraphy and places of peaceful contemplation.
An artist observes, selects, guesses, and synthesizes.
The meaning of song goes deep. Who in logical words can explain the effect music has on us? A kind of inarticulate, unfathomable speech, which leads us to the edge of the infinite, and lets us for a moment gaze into that!
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
I don't believe in competitions between artists. This is insane. Who has the authority to say someone is better?
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