I feel like in telling stories, there are the things the audience thinks are important, and then there are the things that are actually important.
J. J. AbramsRead
I try to push ideas away, and the ones that will not leave me alone are the ones that ultimately end up happening.
Interpretation
The quote reflects the notion that persistent ideas are often the most valuable and transformative.
J. J. Abrams suggests that creativity involves a process of filtering ideas, where the ones that remain persistent in oneβs mind are worth pursuing. This highlights the importance of being attuned to our inner thoughts and inspirations, as they can lead us to significant and impactful outcomes in our work and lives.
In practice
In a speech about innovation during a conference, one might reference this quote to emphasize the importance of following through with one's true ideas.
I feel like in telling stories, there are the things the audience thinks are important, and then there are the things that are actually important.
When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.
Maybe there are times when mystery is more important than knowledge. I realized that the white page is a magic box. Ultimately, the mistery box is all of us. Ubiquitous technologies. What comes next ? Mystery as catalyst for imagination.
Fashion passes, but style remains.
This is the beauty I want. Beauty has got to be astonishing, astounding-- it's got to burst in on you like a dream, like the exquisite eyes of a girl.
I feel that tennis is an art form that is capable of moving the players and the audience - at least a knowledgeable audience-in almost sensual ways. When I'm performing at my absolute best, I think that some of the euphoria I feel must be transmitted to the audience.
This making studies and then taking them home to use them is only half right. You get composition, but you lose freshness; you miss the subtle and, to the artist, the finer characteristics of the scene itself.
For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.
Painting contains a divine force which... makes the dead seem almost alive.
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