My future is in my past and my past is my present. I must now make the present my future.
For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.
Interpretation
What this quote means
The quote emphasizes the balance between intellect, emotion, and technique in performance art.
Vladimir Horowitz highlights the importance of harmonizing intellect, emotion, and technical skill in artistic performance. He warns against overemphasizing any one aspect, as too much intellect can lead to a cold, academic approach, too much emotion can lead to excessive sentimentality, and too much technique can turn a performer into a mere technician without artistic expression. The true essence of performance lies in the seamless integration of these elements.
Themes
In practice
Example use cases
In a lecture on performance art, one might quote this to illustrate the importance of a well-rounded approach.
More from Vladimir Horowitz
All quotes →I may play the same program from one recital to the next, but I will play it differently, and because it is always different, it is always new.
I must tell you I take terrible risks. Because my playing is very clear, when I make a mistake you hear it. If you want me to play only the notes without any specific dynamics, I will never make one mistake. Never be afraid to dare.
The score is not a bible, and I am never afraid to dare. The music is behind those dots.
You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.
Always there should be a little mistake here and there - I am for it. The people who don't do mistakes are cold like ice. It takes risk to make a mistake. If you don't take risk, you are boring.
Similar quotes
If you can actually get someone to sit on the edge of their seat and feel nervous if there's a knock at the door, then you've done something pretty terrific as a writer.
I've come to understand that art is awesome and beautiful because it's a reflection of life - but it's just a reflection, and the real thing is my daughter.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
I always thought that poetry is the verdict that others give to a certain kind of writing. So to call yourself a poet is a kind of dangerous description. It's for others; it's for others to use.
Music has an intrinsic meaning, which has always been mysterious to me.