The camera sees more than the eye, so why not make use of it?
Edward WestonRead
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
Interpretation
The quote reflects the process of artistic photography as a journey of discovery and expression.
Edward Weston emphasizes the importance of the creative process in photography, where the initial idea begins with a sense of discovery. This journey continues as the artist observes and captures the subject through their unique perspective, culminating in a final print that represents a faithful duplication of their vision and emotions, without any alterations post-capture.
In practice
This quote can be used in a photography workshop to inspire attendees about the creative process.
The camera sees more than the eye, so why not make use of it?
The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer's understanding of his subject and mastery of his process.
Why limit yourself to what your eyes see when you have an opportunity to extend your vision?
Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk.
People who wouldn't think of taking a sieve to the well to draw water fail to see the folly in taking a camera to make a painting.
Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be.
For me painting is a dramatic action in the course of which reality finds itself split apart
I wanted to write a show about an estate that wasn't sad or morbid, like a lot of shows portray working class life to be.
I'd spent five hours that morning trying to write a song that was meaningful and good, and I finally gave up and lay down. Then, "Nowhere Man" came, words and music, the whole damn thing, as I lay down...Song writing is about getting the demon out of me. It's like being possessed. You try to go to sleep, but the song won't let you. So you have to get up and make it into something, and then you're allowed sleep.
Writing can be taken up at any point. But you need to remember that the arts are fundamentally unfair. Hard work and diligence won't necessarily take you all the way. Talent, nepotism, influence, and pure luck play a huge part.
It's hard to make something that's interesting. It's really, really hard. It's like a law of nature, a law of aerodynamics, that anything that's written or anything that's created wants to be mediocre. The natural state of all writing is mediocrity... So what it takes to make anything more than mediocre is such an act of will.
Journalism is not a precise science, it's a crude art
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