The camera sees more than the eye, so why not make use of it?
Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be.
Interpretation
What this quote means
Photography is viewed differently by amateurs and professionals, where amateurs see it as a hobby while professionals recognize the effort required.
In this quote, Edward Weston emphasizes the distinction between amateur and professional photographers. For amateurs, photography is often seen as a form of recreationβa relaxing and enjoyable activity. In contrast, professionals understand that photography demands dedication, technical skill, and hard work, even if they find pleasure in their craft. This highlights the different perspectives on the same art form based on one's level of involvement and commitment.
Themes
In practice
Example use cases
When discussing the dedication required in any creative field during a workshop.
More from Edward Weston
All quotes βThe photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer's understanding of his subject and mastery of his process.
Why limit yourself to what your eyes see when you have an opportunity to extend your vision?
Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
People who wouldn't think of taking a sieve to the well to draw water fail to see the folly in taking a camera to make a painting.
Similar quotes
The artist need not know very much, best of all let him work instinctively and paint as naturally as he breathes or walks.
My clothes have a story. They have an identity. They have a character and a purpose. That's why they become classics. Because they keep on telling a story. They are still telling it.
One mustn't always believe that feeling is everything. In the arts, it is nothing without form.
It's always seemed to me that photography tends to deal with facts whereas film tends to deal with fiction.
But who is this, what thing of sea or land,- Female of sex it seems,- That so bedeck'd, ornate, and gay, Comes this way sailing Like a stately ship Of Tarsus, bound for th' isles Of Javan or Gadire, With all her bravery on, and tackle trim, Sails fill'd, and streamers waving, Courted by all the winds that hold them play, An amber scent of odorous perfume Her harbinger?
If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.