The camera sees more than the eye, so why not make use of it?
Edward WestonRead
People who wouldn't think of taking a sieve to the well to draw water fail to see the folly in taking a camera to make a painting.
Interpretation
The quote criticizes the misuse of tools in art, suggesting that just as a sieve is unsuitable for drawing water, a camera is not the appropriate tool for painting.
Edward Weston’s quote highlights the importance of using the right tools for artistic expression. It draws a parallel between inappropriate methods in different contexts—using a sieve for water and a camera for painting—illustrating how true artistic skill requires the correct medium and approach to convey a vision effectively.
In practice
In a speech about the importance of choosing the right method for creative expression, one might quote Edward Weston.
The camera sees more than the eye, so why not make use of it?
The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer's understanding of his subject and mastery of his process.
Why limit yourself to what your eyes see when you have an opportunity to extend your vision?
Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be.
People ask me if I ever thought of writing a children's book. I say, 'If I had a serious brain injury I might well write a children's book', but otherwise the idea of being conscious of who you're directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable.
I work from awkwardness. By that I mean I don't like to arrange things. If I stand in front of something, instead of arranging it, I arrange myself.
Everything great in the world comes from neurotics. They alone have founded our religions and composed our masterpieces.
Writers end up writing stories-or rather, stories' shadows-and they're grateful if they can, but it is not enough. Nothing the writer can do is ever enough
I just make the music feel the way I want it to feel, and I don't put it out until I'm totally happy with it.
I love to study the many things that grow below the corn stalks and bring them back to the studio to study the color. If one could only catch that true color of nature - the very thought of it drives me mad.
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