Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
David LynchRead
It's important that a film is loud and I hope many people agree. You should be inside of a film when you go into a theater. It should surround you, envelope you, so you can live inside a dream.
Interpretation
A film should be an immersive experience that transports viewers into a dreamlike state.
David Lynch emphasizes the importance of a film's immersive qualities, suggesting that an ideal cinematic experience should be loud and enveloping, allowing the audience to lose themselves in the story. This notion of being 'inside' a film highlights the power of cinema to create vivid sensory experiences that can evoke strong emotional responses, akin to dreaming.
In practice
When discussing the impact of cinema in a film studies class, this quote could be used to illustrate the importance of sound design.
Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
You don't need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere.
There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
Television provides the opportunity for an ongoing story - the opportunity to meld the cast and the characters and a world, and to spend more time there.
In todayβs world of fear and uncertainty, every child should have one class period a day to dive within himself and experience the field of silence - bliss - the enormous reservoir of energy and intelligence that is deep within all of us. This is the way to save the coming generation.
A writer's heart, a poet's heart, an artist's heart, a musician's heart is always breaking. It is through that broken window that we see the world.
Right angles don't attract me. Nor straight, hard and inflexible lines created by man.
When I first heard music, I thought it should be very clean, very precise. Something that people could understand, something that was beautiful.
I like to be the right thing in the wrong space and the wrong thing in the right space. But usually being the right thing in the wrong space and the wrong thing in the right space is worth it, because something funny always happens.
Whatever colors you have in your mind, I'll show them to you and you'll see them shine.
For me painting is a dramatic action in the course of which reality finds itself split apart
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