My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Pablo PicassoRead
For me painting is a dramatic action in the course of which reality finds itself split apart
Interpretation
Painting, for the artist, is an intense and transformative process that challenges the perception of reality.
Pablo Picasso expresses that painting transcends mere representation; it is an energetic act where the artist engages with reality, deconstructing and reinterpreting it. This process reflects the artist's inner thoughts and emotions, making each work a unique exploration of human experience and perception.
In practice
In an art class, a teacher might use this quote to inspire students to embrace their unique perspective while creating.
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Painting is just another way of keeping a diary.
In drawing, nothing is better than the first attempt.
He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
You have to have an idea of what you are going to do, but it should be a vague idea.
I paint the way someone bites his fingernails; for me, painting is a bad habit because I don't know nor can I do anything else.
Living in a capital in Europe but still surrounded by mountains and ocean, my relationship to music was strongest walking to school and back. I would sing to myself and very quickly started mapping out my melodies to landscapes - at the time I just thought it was very matter of fact, a common thing to do.
I hate vulgar realism in literature. The man who would call a spade a spade should be compelled to use one.
Improvisation is too good to leave to chance.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
The idea of making audiences feel like they matter, that the theatre matters, and that they're a partner in the eventβthat's what fuels me as a director . . . I believe it's actually radical to think about the audience.
I just think music is so intrinsically linked with images in the culture that we live in that you'll be hard-pressed to have an experience with the music without a preconceived notion.
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