You can grow up with literally nothing and you don’t suffer if you know you’re loved and valued.
Esperanza SpaldingRead
I just think music is so intrinsically linked with images in the culture that we live in that you'll be hard-pressed to have an experience with the music without a preconceived notion.
Interpretation
Music deeply influences and is influenced by the visual culture we experience.
In this quote, Esperanza Spalding expresses the profound connection between music and the visual imagery that surrounds us in contemporary culture. She suggests that our experiences of music are often colored by the visual representations and preconceived notions we have, indicating that music does not exist in isolation but rather in a rich tapestry of cultural and visual contexts that shape our understanding and appreciation of it.
In practice
In a discussion on how visuals enhance music videos during a presentation.
You can grow up with literally nothing and you don’t suffer if you know you’re loved and valued.
I always say that the problem with jazz accessibility is not the content of the music, it's people's ability to access it.
There's nothing wrong with struggle. Anytime I look back at a difficult phase of my life and see what grew out of it - the creative survival tactics - I think that the good is way better than the bad.
I don't think it's about playing and singing, to be honest. That seems like old news, you know? I wasn't thinking about that. I just think that's in my body now. Dancers don't think about their legs moving one way and their arms moving another. Over time, you incorporate that into your instrument.
It's a pity that if someone who has a really profoundly potent art to share chooses not to or doesn't fit into this very thin slice of what's desirable and marketable, chances are the public will never get a chance to hear what they're doing.
When something in art or music piques my interest, I tend to go check it out, and most things I check out, I'm not very good at. But a few things I've gone to check out have given me back as much love as I gave them, usually much more.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
You prep, you prep, you prep. And on the day that you film, you let all of that go. I try to achieve emptiness as much as possible - the Zen thing - to let the deal come out of that nothing.
Music is part of the life of fashion, too.
I don't think one should be comfortable standing on a stage with people applauding and laughing at every stupid thing you say.
To me, bad taste is what entertainment is all about. If someone vomits while watching one of my films, it's like getting a standing ovation. But one must remember that there is such a thing as good bad taste and bad bad taste.
I've been alienating my public since I was 20 years old. When 'American Buffalo' came out on Broadway, people would storm out and say, 'How dare he use that kind of language!' Of course I'm alienating the public! That's what they pay me for.
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