You can grow up with literally nothing and you donβt suffer if you know youβre loved and valued.
Esperanza SpaldingRead
I just think music is so intrinsically linked with images in the culture that we live in that you'll be hard-pressed to have an experience with the music without a preconceived notion.
Interpretation
Music deeply influences and is influenced by the visual culture we experience.
In this quote, Esperanza Spalding expresses the profound connection between music and the visual imagery that surrounds us in contemporary culture. She suggests that our experiences of music are often colored by the visual representations and preconceived notions we have, indicating that music does not exist in isolation but rather in a rich tapestry of cultural and visual contexts that shape our understanding and appreciation of it.
In practice
In a discussion on how visuals enhance music videos during a presentation.
You can grow up with literally nothing and you donβt suffer if you know youβre loved and valued.
I always say that the problem with jazz accessibility is not the content of the music, it's people's ability to access it.
There's nothing wrong with struggle. Anytime I look back at a difficult phase of my life and see what grew out of it - the creative survival tactics - I think that the good is way better than the bad.
I don't think it's about playing and singing, to be honest. That seems like old news, you know? I wasn't thinking about that. I just think that's in my body now. Dancers don't think about their legs moving one way and their arms moving another. Over time, you incorporate that into your instrument.
It's a pity that if someone who has a really profoundly potent art to share chooses not to or doesn't fit into this very thin slice of what's desirable and marketable, chances are the public will never get a chance to hear what they're doing.
When something in art or music piques my interest, I tend to go check it out, and most things I check out, I'm not very good at. But a few things I've gone to check out have given me back as much love as I gave them, usually much more.
I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.
To create anything β whether a short story or a magazine profile or a film or a sitcom β is to believe, if only momentarily, you are capable of magic. These essays are about that magic β which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.
I'm lucky enough to be able to make only movies I'm interested in seeing. That has to be an instinctive thrust. The audience knows when you're faking it. They can hang any kind of moniker they want on me.
Montreal was a very active jazz center until club owners started putting in strippers instead of music. Before long, there was nothing to hear.
It's not the note you play that's the wrong note - it's the note you play afterwards that makes it right or wrong.
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