You can grow up with literally nothing and you don’t suffer if you know you’re loved and valued.
Esperanza SpaldingRead
I don't think it's about playing and singing, to be honest. That seems like old news, you know? I wasn't thinking about that. I just think that's in my body now. Dancers don't think about their legs moving one way and their arms moving another. Over time, you incorporate that into your instrument.
Interpretation
The quote emphasizes the naturalness and instinctive quality of performance rather than a conscious effort.
Esperanza Spalding reflects on the art of performance, suggesting that true mastery comes from a deep integration of movement and expression into one's being. Unlike a mechanical or overly conscious approach to creating music or dance, she argues for an organic, instinctual flow where the artist embodies their craft seamlessly, much like dancers whose movements are innate rather than forced.
In practice
Using this quote in a dance workshop to inspire dancers to connect with their movements intuitively.
You can grow up with literally nothing and you don’t suffer if you know you’re loved and valued.
I always say that the problem with jazz accessibility is not the content of the music, it's people's ability to access it.
There's nothing wrong with struggle. Anytime I look back at a difficult phase of my life and see what grew out of it - the creative survival tactics - I think that the good is way better than the bad.
It's a pity that if someone who has a really profoundly potent art to share chooses not to or doesn't fit into this very thin slice of what's desirable and marketable, chances are the public will never get a chance to hear what they're doing.
I just think music is so intrinsically linked with images in the culture that we live in that you'll be hard-pressed to have an experience with the music without a preconceived notion.
When something in art or music piques my interest, I tend to go check it out, and most things I check out, I'm not very good at. But a few things I've gone to check out have given me back as much love as I gave them, usually much more.
I have often seen an actor laugh off the stage, but I don't remember ever having seen one weep.
My parents said, Oh, he's going to be a director someday. I wanted to be an actor.
Jazz is a sideways glance at music. It's like being an architect, knowing the basis of design but understanding that the facade can be whatever you dream.
It is almost impossible to reconcile self expression with the creative act.
I believe the right question to ask, respecting all ornament, is simply this; was it done with enjoyment, was the carver happy while he was about it?
Bright colours in the west, giant butterflies dancing as night crept like a cripple toward the east.
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