The idea of some people being less than people is poison to any society and needs to be named as such in order to halt its spread before it turns the soul of a society septic.
Richard FlanaganRead
After writing a novel, what is there to say? If a novelist could say it in a maxim, they wouldn't need 120,000 words, several years and sundry characters, plots and subplots, and so on. I'd much rather listen always.
Interpretation
This quote suggests that the depth and complexity of a novel cannot be encapsulated in a simple saying.
Richard Flanagan's quote reflects on the intricate nature of novel writing, emphasizing that a simple maxim cannot convey the full experience of a story, which often requires extensive narrative development to explore themes, characters, and the human condition. It suggests a preference for listening and experiencing stories rather than trying to summarize them in brief phrases.
In practice
This quote can be used in a discussion about the art of writing novels during a literary workshop.
The idea of some people being less than people is poison to any society and needs to be named as such in order to halt its spread before it turns the soul of a society septic.
I never know what I am writing. The moment you know what you're writing, you're writing nothing worth reading.
My father was a Japanese prisoner of war, a survivor of the Thai-Burma Death Railway, built by a quarter of a million slave labourers in 1943. Between 100,000 and 200,000 died.
If 30 Australians drowned in Sydney Harbour, it would be a national tragedy. But when 30 or more refugees drown off the Australian coast, it is a political question.
Is it easier for a man to live his life again as a fish, than to accept the wonder of being human? So alone, so frightened, so wanting for what we are afraid to give tongue to.
I do not share the pessimism of the age about the novel. They are one of our greatest spiritual, aesthetic and intellectual inventions. As a species it is story that distinguishes us, and one of the supreme expressions of story is the novel. Novels are not content. Nor are they are a mirror to life or an explanation of life or a guide to life. Novels are life, or they are nothing.
I don't write for children. I write and someone says it's for children.
We encourage our people to build their ideas from scratch, and we give them the resources - and, crucially, the candid feedback - that are required to transform the first wisps of a story into a truly compelling film.
I'm not likely to forget where I've been and what I've done and learned. I think it's just as important to play new instruments as to play new pieces. The old ones are getting scarcer and the new ones more and more wonderful.
I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
There was no such person as Marilyn Monroe. Marilyn Monroe was an invention of hers. A genius invention that she created, like an author creates a character. She understood photography, and she also understood what makes a great photograph. She related to it as if she were giving a performance. She gave more to the still camera than any actress-any woman- I've ever photographed.
In those days it was either live with music or die with noise, and we chose rather desperately to live.
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