The idea of some people being less than people is poison to any society and needs to be named as such in order to halt its spread before it turns the soul of a society septic.
Richard FlanaganRead
My father was a Japanese prisoner of war, a survivor of the Thai-Burma Death Railway, built by a quarter of a million slave labourers in 1943. Between 100,000 and 200,000 died.
Interpretation
What this quote means
This quote highlights the resilient spirit of survivors and the tragedy of war.
Richard Flanagan's quote reflects on the harrowing experiences of his father as a Japanese prisoner of war during World War II, specifically emphasizing the brutal conditions of the Thai-Burma Death Railway. It serves as a poignant reminder of the sacrifices made by countless individuals and the tragic loss of life in conflicts, while also honoring the resilience of those who survived such traumatic experiences.
Themes
WarSurvivalHistoryLegacyResilience
In practice
Example use cases
Using this quote in a speech on the effects of war on families and survivors.
More from Richard Flanagan
All quotes βI never know what I am writing. The moment you know what you're writing, you're writing nothing worth reading.
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If 30 Australians drowned in Sydney Harbour, it would be a national tragedy. But when 30 or more refugees drown off the Australian coast, it is a political question.
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Is it easier for a man to live his life again as a fish, than to accept the wonder of being human? So alone, so frightened, so wanting for what we are afraid to give tongue to.
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I do not share the pessimism of the age about the novel. They are one of our greatest spiritual, aesthetic and intellectual inventions. As a species it is story that distinguishes us, and one of the supreme expressions of story is the novel. Novels are not content. Nor are they are a mirror to life or an explanation of life or a guide to life. Novels are life, or they are nothing.
Richard FlanaganRead
After writing a novel, what is there to say? If a novelist could say it in a maxim, they wouldn't need 120,000 words, several years and sundry characters, plots and subplots, and so on. I'd much rather listen always.
Richard FlanaganRead
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