My future is in my past and my past is my present. I must now make the present my future.
Vladimir HorowitzRead
The score is not a bible, and I am never afraid to dare. The music is behind those dots.
Interpretation
This quote emphasizes that music transcends mere notation and encourages boldness in interpretation.
Vladimir Horowitz suggests that musical notation is not an absolute guide ('not a bible') but rather a starting point for creative expression. He expresses a willingness to take risks and explore the deeper essence of music that lies beyond the written notes, highlighting the importance of personal interpretation and daring innovation in artistic performance.
In practice
A musician who wants to inspire others during a performance can quote this to highlight their unique approach to music.
My future is in my past and my past is my present. I must now make the present my future.
I may play the same program from one recital to the next, but I will play it differently, and because it is always different, it is always new.
I must tell you I take terrible risks. Because my playing is very clear, when I make a mistake you hear it. If you want me to play only the notes without any specific dynamics, I will never make one mistake. Never be afraid to dare.
You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.
Always there should be a little mistake here and there - I am for it. The people who don't do mistakes are cold like ice. It takes risk to make a mistake. If you don't take risk, you are boring.
For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.
This is a work of fiction. All the characters in it, human and otherwise, are imaginary, excepting only certain of the fairy folk, whom it might be unwise to offend by casting doubts on their existence. Or lack thereof.
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
Study, find all the good teachers and study with them, get involved in acting to act, not to be famous or for the money. Do plays. It's not worth it if you are just in it for the money. You have to love it.
I compose music for films, and by the grace of God, I've got a few awards. That's it.
I think the best stories always end up being about the people rather than the event, which is to say character-driven.
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