My future is in my past and my past is my present. I must now make the present my future.
Vladimir HorowitzRead
The score is not a bible, and I am never afraid to dare. The music is behind those dots.
Interpretation
This quote emphasizes that music transcends mere notation and encourages boldness in interpretation.
Vladimir Horowitz suggests that musical notation is not an absolute guide ('not a bible') but rather a starting point for creative expression. He expresses a willingness to take risks and explore the deeper essence of music that lies beyond the written notes, highlighting the importance of personal interpretation and daring innovation in artistic performance.
In practice
A musician who wants to inspire others during a performance can quote this to highlight their unique approach to music.
My future is in my past and my past is my present. I must now make the present my future.
I may play the same program from one recital to the next, but I will play it differently, and because it is always different, it is always new.
I must tell you I take terrible risks. Because my playing is very clear, when I make a mistake you hear it. If you want me to play only the notes without any specific dynamics, I will never make one mistake. Never be afraid to dare.
You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.
Always there should be a little mistake here and there - I am for it. The people who don't do mistakes are cold like ice. It takes risk to make a mistake. If you don't take risk, you are boring.
For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.
How do you paint yellow wheat against a yellow sky? You paint it jet black.
I'm never tired of going to the studio. I enjoy recording and documenting everything and trying new things.
The commitment to working at poetry is important because a poet is a maker, and a poem is a made thing. We have to honor our feelings by working to transform them into something meaningful and lasting.
At a certain place in Beethoven's Ninth Symphony, for example, he might feel that he is floating above the earth in a starry dome, with the dream of immortality in his heart; all the stars seem to glimmer around him, and the earth seems to sink ever deeper downwards.
In some century to come, when the school children will whistle popular tunes in quarter-tones--when the diatonic scale will be as obsolete as the pentatonic is now--perhaps then these borderland experiences may be both easily expressed and readily recognized. But maybe music was not intended to satisfy the curious definiteness of man. Maybe it is better to hope that music may always be transcendental language in the most extravagant sense
As a writer of fiction, I spend my days inventing real lives for make-believe people; what I create can only seem real.
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