When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.
J. J. AbramsRead
I feel like in telling stories, there are the things the audience thinks are important, and then there are the things that are actually important.
Interpretation
The quote highlights the difference between audience perceptions and the underlying truths in storytelling.
J. J. Abrams emphasizes that in storytelling, there often exists a gap between what the audience perceives as important and the deeper, more significant elements that truly shape the narrative. This insight encourages storytellers to look beyond surface-level details and focus on the deeper messages that resonate with audiences on a more profound level.
In practice
Discussing the deeper meanings in literature class.
When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.
Maybe there are times when mystery is more important than knowledge. I realized that the white page is a magic box. Ultimately, the mistery box is all of us. Ubiquitous technologies. What comes next ? Mystery as catalyst for imagination.
I try to push ideas away, and the ones that will not leave me alone are the ones that ultimately end up happening.
Honest criticism and sensitive appreciation are directed not upon the poet but upon the poetry.
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
I tend to think of the act of photographing, generally speaking, as an adventure. My favorite thing is to go where Iβve never been.
Translation is a form of passive aggression. In doing it, a writer chooses to forgo original authorship so as to play havoc with a foreign original in a process of imitation, zigzagging between the foreign and receiving languages but in the last analysis cancelling the first in favor of the second.
It was - I'm very didactic in my lyrics, but I've always been drawn to mock my own emotions, and so I write this very lyric-heavy stuff, which suits theater and comedy much more than it suits pop.
My #1 job as a thriller author is to give readers the best white-knuckle thrill ride I am capable of. I am first and foremost in the entertainment business. If that suspenseful ride is also terrifying because it hits really close to home, then I am once again doing what I am supposed to do as a thriller author.
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