I feel like in telling stories, there are the things the audience thinks are important, and then there are the things that are actually important.
J. J. AbramsRead
When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.
Interpretation
This quote emphasizes the power of blending extraordinary elements with relatable experiences to create impactful art.
J. J. Abrams suggests that when artistic work intertwines remarkable, larger-than-life concepts with everyday realities, it transcends ordinary boundaries, giving rise to creations that feel almost otherworldly. This combination allows theoretical ideas to take tangible form, resulting in art that resonates deeply with audiences on both emotional and intellectual levels.
In practice
In a speech about creativity, an artist could employ this quote to highlight the importance of merging extraordinary ideas with everyday experiences.
I feel like in telling stories, there are the things the audience thinks are important, and then there are the things that are actually important.
Maybe there are times when mystery is more important than knowledge. I realized that the white page is a magic box. Ultimately, the mistery box is all of us. Ubiquitous technologies. What comes next ? Mystery as catalyst for imagination.
I try to push ideas away, and the ones that will not leave me alone are the ones that ultimately end up happening.
It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it.
It gave me a lot of pleasure and pride that 90 percent of the crew for 'Monsoon Wedding,' and most of my film, are women. We get the work done, you know, much lesser play of ego... And I really believe in harmony, I believe in working in a spirit of egolessness and that the film is bigger than all of us.
Color is all. When color is right, form is right. Color is everything, color is vibration like music; everything is vibration.
When I attained my seventh year, my father, whose ear was unmusical but who was nevertheless passionately fond of music, gave me my elementary lessons on the violin; in a very few months, I was able to play all manner of compositions at sight.
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
My interest in creating anything is that it be useful.
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