The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem.
Ennio MorriconeRead
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
Interpretation
This quote emphasizes the importance of how music is utilized in film, highlighting the need for careful separation from other elements.
Ennio Morricone reflects on the intricacies involved in the use of music within film, noting that its effectiveness relies heavily on how it interacts with the surrounding elements, such as dialogue and sound effects. He points out that music should not bear the blame for any shortcomings in its integration, as it requires thoughtful consideration and space in order to resonate properly within the cinematic experience.
In practice
In a film studies class when discussing the role of music in cinema.
The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem.
When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.
I really like conducting my music in concerts because I'm convinced it's not just for films; it has its own life. It can live far away from the images of the movie.
There are some directors who actually fear the possible success of music. They fear that the audience or the critics will think the film has worked because there was a very good music score.
I often use the same harmonies as pop music because the complexity of what I do is elsewhere.
Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go before my wife, I will leave her alone, and vice versa. The ideal would be to die together.
I'd like to point out to people the divine in a musical language that transcends words. I want to speak to their souls.
My eyes make pictures when they are shut.
And the idea of just wandering off to a cafe with a notebook and writing and seeing where that takes me for awhile is just bliss.
My favorite piece [piece of music] is the one we hear all the time if we are quiet.
Art offers sanctuary to everyone willing to open their Hearts as well as their Eyes.
I search for surprise in my architecture. A work of art should cause the emotion of newness.
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