The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem.
Ennio MorriconeRead
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
Interpretation
This quote emphasizes the importance of how music is utilized in film, highlighting the need for careful separation from other elements.
Ennio Morricone reflects on the intricacies involved in the use of music within film, noting that its effectiveness relies heavily on how it interacts with the surrounding elements, such as dialogue and sound effects. He points out that music should not bear the blame for any shortcomings in its integration, as it requires thoughtful consideration and space in order to resonate properly within the cinematic experience.
In practice
In a film studies class when discussing the role of music in cinema.
The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem.
When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.
I really like conducting my music in concerts because I'm convinced it's not just for films; it has its own life. It can live far away from the images of the movie.
There are some directors who actually fear the possible success of music. They fear that the audience or the critics will think the film has worked because there was a very good music score.
I often use the same harmonies as pop music because the complexity of what I do is elsewhere.
Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go before my wife, I will leave her alone, and vice versa. The ideal would be to die together.
I think a playwright realizes after he finishes working on the script that this is only the beginning. What will happen when it moves into three dimensions?
When you begin to see the possibilities of music, you desire to do something really good for people.
He seemed to be made of sunshine and blood-red tissue and clear weather.
The earth doesn’t care where death occurs. ...It’s the artist, by coming in and writing about it or painting it or taking a photograph of it, that makes the earth powerful and creates death’s memory. Because the land will not remember by itself, but the artist will.
There's a reason poets often say, 'Poetry saved my life,' for often the blank page is the only one listening to the soul's suffering, the only one registering the story completely, the only one receiving all softly and without condemnation.
I knew the exuberance of playing before an admiring audience and hearing my secret voice.
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