The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem.
Interpretation
A director's ability to honor a musical composition is hindered by financial limitations.
Ennio Morricone emphasizes the critical role of the director in interpreting and executing a musical score, suggesting that without the authority to make creative decisions, the director may struggle to deliver a compelling artistic vision. When budgetary constraints dictate the possibilities, the artistic quality and integrity of the music can suffer, leading to a disconnect between the score and the directed performance.
In practice
During a film industry panel discussing the challenges of independent filmmaking.
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.
I really like conducting my music in concerts because I'm convinced it's not just for films; it has its own life. It can live far away from the images of the movie.
There are some directors who actually fear the possible success of music. They fear that the audience or the critics will think the film has worked because there was a very good music score.
I often use the same harmonies as pop music because the complexity of what I do is elsewhere.
Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go before my wife, I will leave her alone, and vice versa. The ideal would be to die together.
Skill in writing frees you to write what you want to write. It may also show you what you want to write. Craft enables art.
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
There are many other little refinements too, Mr. Bohlen. You'll see them all when you study the plans carefully. For example, there's a trick that nearly every writer uses, of inserting at least one long, obscure word into each story. This makes the reader think that the man is very wise and clever. So I have the machine do the same thing. There'll be a whole stack of long words stored away just for this purpose." Where?" In the 'word-memory' section," he said, epexegetically.
A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
Hip-hop saved me. It gave me permission to use language in a certain way. It validated my community and my friends. It gave our slang a certain elegance.
The easy part of being an artist is figuring out the message that everyone else is ready to hear. The hard part is waiting for the proper lull to make the announcement.
Subscribe for the occasional hand-picked quote. No noise.