Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
N. Scott MomadayRead
Indians are marvelous storytellers. In some ways, that oral tradition is stronger than the written tradition.
Interpretation
The quote highlights the importance and richness of oral storytelling in Indian culture compared to written forms.
N. Scott Momaday emphasizes the significance of oral storytelling within Indian culture, suggesting that this form of narrative is a vital and perhaps even more powerful tradition than written storytelling. This highlights the unique connection between storytelling, community, and cultural identity, showcasing how stories passed down orally carry deep meaning and resonance through generations.
In practice
In a lecture on cultural heritage, one could use this quote to discuss the impact of oral storytelling.
Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
For the storyteller, for the arrowmaker, language does indeed represent the only chance for survival.
There is a great good in returning to a landscape that has had extraordinary meaning in one's life. It happens that we return to such places in our minds irresistibly. There are certain villages and towns, mountains and plains that, having seen them walked in them lived in them even for a day, we keep forever in the mind's eye. They become indispensable to our well-being; they define us, and we say, I am who I am because I have been there, or there.
Writing is not a matter of choice. Writers have to write. It is somehow in their temperament, in the blood, in tradition.
My father was a painter and he taught art. He once said to me, 'I never knew an Indian child who could not draw.'
Coyotes have the gift of seldom being seen; they keep to the edge of vision and beyond, loping in and out of cover on the plains and highlands. And at night, when the whole world belongs to them, they parley at the river with the dogs, their higher, sharper voices full of authority and rebuke. They are an old council of clowns, and they are listened to.
Movies and television have a way of using a soundtrack not just to create a mood but to literalize it. You could always count on a master class in splitting the difference between artistry and obviousness during the so-called Blaxploitation era.
Art is going to make a bigger comeback than ever. That's the upside to things getting challenging.
Little Axe's records are wracked with collective grief. Spectral harmonicas resemble howling wolves; echoes linger like wounds that will never heal; the voices of the living harmonise with the voices of the dead in songs thick with reproach, recrimination and the hunger for redemption.
As an actor, you are always looking for roles that will challenge you, and when I came upon Aung San Suu Kyi, it wasn't just about that but also about stepping into the shoes of someone who means so much to millions of people.
If music sounds dated, it means it wasn't very good in the first place.
The mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness; this power arises from within...could this influence be durable in its original purity and force, it is impossible to predict the greatness of the result; but when composition begins, inspiration is already on the decline; and the most glorious poetry that has been communicated to the world is probably a feeble shadow of the original conceptions of the poet.
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