Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
N. Scott MomadayRead
Coyotes have the gift of seldom being seen; they keep to the edge of vision and beyond, loping in and out of cover on the plains and highlands. And at night, when the whole world belongs to them, they parley at the river with the dogs, their higher, sharper voices full of authority and rebuke. They are an old council of clowns, and they are listened to.
Interpretation
The quote reflects the elusive and wise nature of coyotes, highlighting their unique presence and voice in the wilderness.
In this quote, N. Scott Momaday portrays the coyote as a symbol of wisdom and mystery, existing just beyond our sight while commanding respect and attention. It illustrates how these creatures navigate their environment with grace and cunning, often holding a deeper understanding of their surroundings, which is recognized and acknowledged by both animals and humans alike.
In practice
During a nature documentary screening, one might quote this to emphasize the cleverness of wildlife.
Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
For the storyteller, for the arrowmaker, language does indeed represent the only chance for survival.
There is a great good in returning to a landscape that has had extraordinary meaning in one's life. It happens that we return to such places in our minds irresistibly. There are certain villages and towns, mountains and plains that, having seen them walked in them lived in them even for a day, we keep forever in the mind's eye. They become indispensable to our well-being; they define us, and we say, I am who I am because I have been there, or there.
Writing is not a matter of choice. Writers have to write. It is somehow in their temperament, in the blood, in tradition.
My father was a painter and he taught art. He once said to me, 'I never knew an Indian child who could not draw.'
Indians are marvelous storytellers. In some ways, that oral tradition is stronger than the written tradition.
To stay in one place and watch the seasons come and go is tanatmount to constant travel: One is traveling with the earth.
The river and the garden have been the foundations of my economy here. Of the two I have liked the river best. It is wonderful to have the duty of being on the river the first and last thing every day. I have loved it even in the rain. Sometimes I have loved it most in the rain.
To sit in the shade on a fine day and look upon verdure is the most perfect refreshment.
To a naturalist nothing is indifferent; the humble moss that creeps upon the stone is equally interesting as the lofty pine which so beautifully adorns the valley or the mountain: but to a naturalist who is reading in the face of the rocks the annals of a former world, the mossy covering which obstructs his view, and renders indistinguishable the different species of stone, is no less than a serious subject of regret.
Let me enjoy the earth no less because the all-enacting light that fashioned forth its loveliness had other aims than my delight.
My heart found its home long ago in the beauty, mystery, order and disorder of the flowering earth. I wanted future generations to be able to savor what I had all my life.
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