Middle-class Pakistani cultural life is what I've seen, what I know - they're not all screaming faceless mullahs. It's disturbing that in American films, the character on the other side is not even named.
Mira NairRead
It gave me a lot of pleasure and pride that 90 percent of the crew for 'Monsoon Wedding,' and most of my film, are women. We get the work done, you know, much lesser play of ego... And I really believe in harmony, I believe in working in a spirit of egolessness and that the film is bigger than all of us.
Interpretation
The quote emphasizes the importance of teamwork and collaboration over individual ego, particularly in the context of filmmaking.
Mira Nair expresses her pride in having a predominantly female crew for her film 'Monsoon Wedding.' She highlights that a harmonious work environment, characterized by a lack of ego, is crucial for the success of a project, suggesting that the collective effort toward a common goal is more significant than individual contributions.
In practice
This quote could be used in a speech about gender equality in the workplace.
Middle-class Pakistani cultural life is what I've seen, what I know - they're not all screaming faceless mullahs. It's disturbing that in American films, the character on the other side is not even named.
If we don't tell our own stories, no one else will.
I think there's a level of ignorance, when, in the callowness of youth, you imagine that you are inventing the world for the first time. You imagine that your parents don't know what it feels like to fall in love.
Every film is a political act; it's how you see the world.
To make films, you have to have something to say. To have something to say, you have to be a student of life. And to be a student of life, you have to be feeding yourself with what life, politics, society, and your family fuels you with.
Artists are the antennae of the race.
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.
Mendelssohn I consider the first musician of the day; I doff my hat to him as my superior. He plays with everything, especially with the grouping of the instruments in the orchestra, but with such ease, delicacy and art, with such mastery throughout.
I thought, 'There are a lot of poets who have the courage to look into the abyss, but there are very few who have the courage to look happiness in the face and write about it,' which is what I wanted to be able to do.
Like dancers with choreography or actors with scripts, jazz singers could take material that was known, even loved, then risk interpreting and revising it. They could conceal even as they revealed themselves. Inflection, timing and tonality were their language, at least as much as words.
Thereβs something very important about films about black women and girls being made by black women. Itβs a different perspective. It is a reflection as opposed to an interpretation, and I think we get a lot of interpretations about the lives of women that are not coming from women.
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