Middle-class Pakistani cultural life is what I've seen, what I know - they're not all screaming faceless mullahs. It's disturbing that in American films, the character on the other side is not even named.
Mira NairRead
It gave me a lot of pleasure and pride that 90 percent of the crew for 'Monsoon Wedding,' and most of my film, are women. We get the work done, you know, much lesser play of ego... And I really believe in harmony, I believe in working in a spirit of egolessness and that the film is bigger than all of us.
Interpretation
The quote emphasizes the importance of teamwork and collaboration over individual ego, particularly in the context of filmmaking.
Mira Nair expresses her pride in having a predominantly female crew for her film 'Monsoon Wedding.' She highlights that a harmonious work environment, characterized by a lack of ego, is crucial for the success of a project, suggesting that the collective effort toward a common goal is more significant than individual contributions.
In practice
This quote could be used in a speech about gender equality in the workplace.
Middle-class Pakistani cultural life is what I've seen, what I know - they're not all screaming faceless mullahs. It's disturbing that in American films, the character on the other side is not even named.
If we don't tell our own stories, no one else will.
I think there's a level of ignorance, when, in the callowness of youth, you imagine that you are inventing the world for the first time. You imagine that your parents don't know what it feels like to fall in love.
Every film is a political act; it's how you see the world.
To make films, you have to have something to say. To have something to say, you have to be a student of life. And to be a student of life, you have to be feeding yourself with what life, politics, society, and your family fuels you with.
As practice makes perfect, I cannot but make progress; each drawing one makes, each study one paints, is a step forward.
Art is never chaste. It ought to be forbidden to ignorant innocents, never allowed into contact with those not sufficiently prepared. Yes, art is dangerous. Where it is chaste, it is not art.
Every story I create, creates me. I write to create myself.
The art of storytelling is reaching its end because the epic side of truth, wisdom, is dying out.
I don't want the reader to be aware of me as the writer.
Though it may not seem like it, I never try to write about a place, per se; it's always, first and last, about story. Story is everything. Story and a bit of attitude.
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