Living substance conquers the frenzy of destruction only in the ecstasy of procreation.
Walter BenjaminRead
The art of storytelling is reaching its end because the epic side of truth, wisdom, is dying out.
Interpretation
Storytelling allows us to convey deeper truths and wisdom, but this art is fading away.
Walter Benjamin highlights a concern that the rich tradition of storytelling, which has historically served to convey profound truths and wisdom, is at risk of disappearing. As societal values shift away from the epic narratives that encapsulate human experiences and lessons, we may lose the depth and insights that storytelling has provided through generations.
In practice
In a speech about the importance of culture, one might say, 'As Walter Benjamin noted, the art of storytelling is fading, underscoring our need to revive it.'
Living substance conquers the frenzy of destruction only in the ecstasy of procreation.
The illiterate of the future will not be the man who cannot read the alphabet, but the one who cannot take a photograph.
If mythic violence is lawmaking, divine violence is law-destroying; if the former sets boundaries, the latter boundlessly destroys them; if mythic violence brings at once guilt and retribution, divine power only expiates; if the former threatens, the latter strikes; if the former is bloody, the latter is lethal without spilling blood
Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.
Nothing is poorer than a truth expressed as it was thought. Committed to writing in such cases, it is not even a bad photograph. Truth wants to be startled abruptly, at one stroke, from her self-immersion, whether by uproar, music or cries for help.
I am unpacking my library. Yes I am. The books are not yet on the shelves, not yet touched by the mild boredom of order.
Compassion may be called the fundamental of all good art because it alone can tell you what other beings feel and experience. Only compassion severs the bonds of your personal limitations, and gives you deep access into the inner life of the character you study, without which you cannot properly prepare it for the stage
I wonder if I don't give too much of myself to writing: I am always half where I am; the other half is feeding the furnace, kick-starting the heat of creativity. I am making love with someone but at the same time I'm noticing how this graceful hand across my belly might just fit in with the memory of lilacs in Albuquerque in 1974.
The art and science of memory is about developing the capacity to quickly create images that link disparate ideas. Creativity is the ability to form similar connections between disparate images and to create something new and hurl it into the future so it becomes a poem, or a building, or a dance, or a novel. Creativity is, in a sense, future memory.
Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made.
The drama's altar isn't on the stage: it is candle-sticked and flowered in the box office. There is the gold, though there be no frankincense or myrrh; and the gospel for the day always The Play will Run for a Year. The Dove of Inspiration, of the desire for inspiration, has flown away from it; and on it's roof, now, the commonplace crow caws candidly.
It is not enough to photograph the obviously picturesque.
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