I dedicated all the time I had to it. The 10 hour workout was just what I put in the magazine at the time, but for me it was every waking moment.
Steve VaiRead
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
Interpretation
The quote emphasizes the essential role of auditory skills in a musician's development.
In this quote, Steve Vai highlights that the ability to listen and understand music deeply is crucial for anyone aspiring to be a good musician. He suggests that developing an 'inner ear'—the skill to discern musical elements solely through listening—is the most important aspect of musicianship, as it allows musicians to interpret and engage with music more profoundly.
In practice
This quote could be shared in a music class to inspire students.
I dedicated all the time I had to it. The 10 hour workout was just what I put in the magazine at the time, but for me it was every waking moment.
I think every artist subconsciously wants to evolve themselves. Sometimes they get stuck in ruts because of pop culture, peer pressure, stuff like that. But what excites me most is exploring my own musical insights and expanding upon them.
If you want to play something that you hear, you need to listen with your mind's eye. You've heard of the mind's eye, right? Your mind has an ear too. It's a kind of listening, but it's not using your ears to listen. It's listening with your inner ear, and that's what you want to translate onto the guitar.
The tone is in your fingers, not in your amp or effects.
If you want to play something that you can't, you need to see and hear yourself doing it in your minds eye. It will start to happen
A good solo is like a book. It will start out in a phrase, it will go on in paragraphs, and then it will have a great ending.
I feel like a ghost wandering in a world grown alien. I cannot cast out the old way of writing and I cannot acquire the new. I have made an intense effort to feel the musical manner of today, but it will not come to me.
In the beginning, the cubists broke up form without even knowing they were doing it. Probably the compulsion to show multiple sides of an object forced us to break the object up - or, even better, to project a panorama that unfolded different facets of the same object.
To draw you must close your eyes and sing.
I don't like records that are the same from beginning to end, that are too styled and slick. Everything is so designed and airbrushed and Botoxed, it makes us think, 'Oh, everybody's perfect except me. Everything's smooth except me.' But nothing is smooth.
You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself.
Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.
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