I dedicated all the time I had to it. The 10 hour workout was just what I put in the magazine at the time, but for me it was every waking moment.
Steve VaiRead
A good solo is like a book. It will start out in a phrase, it will go on in paragraphs, and then it will have a great ending.
Interpretation
A good solo in music, like a well-crafted story, has a clear structure of beginning, middle, and end.
Steve Vai compares a musical solo to a literary work, suggesting that both should have a coherent structure that captures the audience's attention. The solo begins with a catchy phrase to intrigue listeners, develops through more elaborate and expressive sections, and concludes with a powerful ending that leaves a lasting impression, paralleling the way a well-written book unfolds its narrative.
In practice
This quote could be used during a music workshop to inspire students to think of their solos as narratives.
I dedicated all the time I had to it. The 10 hour workout was just what I put in the magazine at the time, but for me it was every waking moment.
I think every artist subconsciously wants to evolve themselves. Sometimes they get stuck in ruts because of pop culture, peer pressure, stuff like that. But what excites me most is exploring my own musical insights and expanding upon them.
If you want to play something that you hear, you need to listen with your mind's eye. You've heard of the mind's eye, right? Your mind has an ear too. It's a kind of listening, but it's not using your ears to listen. It's listening with your inner ear, and that's what you want to translate onto the guitar.
The tone is in your fingers, not in your amp or effects.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
If you want to play something that you can't, you need to see and hear yourself doing it in your minds eye. It will start to happen
The pleasure we derive from the representation of the present is due, not only to the beauty it can be clothed in, but also to its essential quality of being the present.
I paint and work as a sculptor, and I see architecture as an art... If you follow this approach you can use techniques to the service of man and to the service of an artistic idea, and beauty.
Some people wish above all to conform to the rules, I wish only to render what I can hear.
When you know what an actor has, you can reach in and arouse it. If you don't know what he has, you don't know what the hell is going on.
We, as film-makers, are privileged. We can make people cry or laugh. We can make them think and feel. It is a great privilege and a great responsibility.
I've gradually realised that what I do best is universes. And I shouldn't be afraid of that.
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