I dedicated all the time I had to it. The 10 hour workout was just what I put in the magazine at the time, but for me it was every waking moment.
Steve VaiRead
The tone is in your fingers, not in your amp or effects.
Interpretation
The quality of musical expression comes from the musician, not the equipment.
Steve Vai emphasizes that the essence and uniqueness of a musician's sound are primarily determined by their personal touch and technique rather than the instruments or technology they use. This highlights the importance of skill and artistry in creating music, suggesting that true expression is an inherent quality that cannot solely rely on external tools.
In practice
Use this quote during a music workshop to inspire young musicians about the importance of their unique style.
I dedicated all the time I had to it. The 10 hour workout was just what I put in the magazine at the time, but for me it was every waking moment.
I think every artist subconsciously wants to evolve themselves. Sometimes they get stuck in ruts because of pop culture, peer pressure, stuff like that. But what excites me most is exploring my own musical insights and expanding upon them.
If you want to play something that you hear, you need to listen with your mind's eye. You've heard of the mind's eye, right? Your mind has an ear too. It's a kind of listening, but it's not using your ears to listen. It's listening with your inner ear, and that's what you want to translate onto the guitar.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
If you want to play something that you can't, you need to see and hear yourself doing it in your minds eye. It will start to happen
A good solo is like a book. It will start out in a phrase, it will go on in paragraphs, and then it will have a great ending.
Until it's on the radio or online, it's not real. With U2, our album isn't finished until it's in the stores.
I'm not 'Grace.' That album is like a brick onto itself. It's like a coffin that I put certain feelings and observations in so that they can be capsulized forever. I wanted to put them there so I would be free to move on.
I can't think of a greater guitar icon than someone who has the musical intellect to change what was there before and take music in another direction. That's a guitar hero for me.
I always say that the problem with jazz accessibility is not the content of the music, it's people's ability to access it.
When everything is together - the band, me, the audience, it's boss! It's just like magic.
A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage. It's my favorite part of the business - live concerts.
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