I think we are bound to, and by, nature. We may want to deny this connection and try to believe we control the external world, but every time there's a snowstorm or drought, we know our fate is tied to the world around us
Do people choose the art that inspires them — do they think it over, decide they might prefer the fabulous to the real? For me, it was those early readings of fairy tales that made me who I was as a reader and, later on, as a storyteller.
Interpretation
What this quote means
The quote reflects on how people select art that influences their imagination and identity, indicating a preference for the fantastical over the mundane.
In this quote, Alice Hoffman examines the notion that individuals often gravitate towards art that captivates their senses and stirs their creativity, sometimes choosing the extraordinary over reality. She personally connects this phenomenon to her formative experiences with fairy tales, which not only shaped her as a reader but also laid the groundwork for her career as a storyteller, highlighting the profound impact of literature and art on personal development and creative expression.
Themes
In practice
Example use cases
During a speech on the influence of childhood literature on personal development.
More from Alice Hoffman
All quotes →Before she realized he was next to her, he had placed his hands over hers on the countertop, then hooped his fingers through hers. Gretel looked up at him, so startled she might as well have been shot. 'I just wanted to wake you up', he said. Which is exactly what he did. One look at him and her heart was racing. One look, and whatever had been before was all over.
I never plot out my novels in terms of the tone of the book. Hopefully, once a story is begun it reveals itself
My theory is that everyone at one time or another has been at the fringe of society in some way: an outcast in high school, a stranger in a foreign country, the best at something, the worst at something, the one who's different. Being an outsider is the one thing we all have in common.
My grandmother told me once that when you lose somebody you think you've lost the whole world as well, but that's not the way things turn out in the end. Eventually, you pick yourself up and look out the window, and once you do you see everything that was there before the world ended is out there still. There are the same apple trees and the same songbirds, and over our heads, the very same sky that shines like heaven, so far above us we can never hope to reach such heights.
It was the sort of beauty you feel so deeply it becomes contagious and somehow makes you feel beautiful too.
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I write as if I were drunk. It is a process of intuition rather than placing myself above my story like a puppeteer pulling strings. For me, it's a scary, chaotic process over which I have little control. Words demand other words, characters resist me.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
Creativity is a wild mind and a disciplined eye.
Abstract is not a style. I simply want to make a surface work. This is just a use of space and form: it's an ambivalence of forms and space.