I think we are bound to, and by, nature. We may want to deny this connection and try to believe we control the external world, but every time there's a snowstorm or drought, we know our fate is tied to the world around us
Alice HoffmanRead
I never plot out my novels in terms of the tone of the book. Hopefully, once a story is begun it reveals itself
Interpretation
The creative process should be organic and guided by the story itself rather than predetermined.
Alice Hoffman's quote suggests that when writing a novel, the author should allow the story to unfold naturally rather than conforming to a fixed plan or tone. This reflects the belief that creativity thrives when it is free to evolve and reveal its own direction, leading to a more authentic narrative that resonates with readers.
In practice
During a writing workshop, I shared a quote by Alice Hoffman to encourage participants to let their stories flow without the fear of strict structure.
I think we are bound to, and by, nature. We may want to deny this connection and try to believe we control the external world, but every time there's a snowstorm or drought, we know our fate is tied to the world around us
Before she realized he was next to her, he had placed his hands over hers on the countertop, then hooped his fingers through hers. Gretel looked up at him, so startled she might as well have been shot. 'I just wanted to wake you up', he said. Which is exactly what he did. One look at him and her heart was racing. One look, and whatever had been before was all over.
Do people choose the art that inspires them β do they think it over, decide they might prefer the fabulous to the real? For me, it was those early readings of fairy tales that made me who I was as a reader and, later on, as a storyteller.
My theory is that everyone at one time or another has been at the fringe of society in some way: an outcast in high school, a stranger in a foreign country, the best at something, the worst at something, the one who's different. Being an outsider is the one thing we all have in common.
My grandmother told me once that when you lose somebody you think you've lost the whole world as well, but that's not the way things turn out in the end. Eventually, you pick yourself up and look out the window, and once you do you see everything that was there before the world ended is out there still. There are the same apple trees and the same songbirds, and over our heads, the very same sky that shines like heaven, so far above us we can never hope to reach such heights.
It was the sort of beauty you feel so deeply it becomes contagious and somehow makes you feel beautiful too.
The creation of a work of art, like an act of love, is our one small 'yes' at the center of a vast 'no.'
Wanting to play the guitar was neither a wild dream nor a realistic ambition. It was simply inevitable.
The fun for me musically is that you never quite know what works and why. So why pretend you do? Why not just put things together and discover, in the creative process, if and why they work? That approach has served me well.
I hope you will understand that architecture has nothing to do with the inventions of forms. It is not a playground for children, young or old. Architecture is the real battleground of the spirit.
And as a writer now, I want to save Linda's life. Not her body--her life.
Sometimes I write from the point of view of characters whom I would dislike as people, not as a perverse exercise, but because this cracks the story open and makes me see it in a way I would not see it naturally.
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