Being taught to despise your body is being taught to perhaps admire someone else's body more than yours - being taught that your body is good for certain things and not for others.
Wangechi MutuRead
I've always loved the idea that you think you know what you're looking at from a distance, yet when you come up close, it gets intricate and nutty and obscene and provocative.
Interpretation
The quote reflects how things appear simple from afar but reveal complexity upon closer inspection.
Wangechi Mutu's quote speaks to the nature of perception and the rich intricacies that lie beneath the surface of what we initially observe. It suggests that our understanding of a subject often deepens and becomes more complicated as we engage with it more closely, turning our initial perceptions into a realization of complexity that can be both shocking and inspiring.
In practice
During an art exhibition, this quote could be used to describe how viewers should approach each piece with an open mind and seek deeper meanings.
Being taught to despise your body is being taught to perhaps admire someone else's body more than yours - being taught that your body is good for certain things and not for others.
Gold and precious gems are, in many places, the one form of wealth a woman can use to protect and enhance herself within the elaborate structure of patriarchy.
The ocean is the source of life. We all come from there. I think about these one-celled creatures, and I think about the planet. It is related to my obsession with biology, even if it's only a layperson's obsession. The way I visualise what's at the bottom of the ocean is very much to do with how I feel when I'm swimming in the sea.
Art is the creation of forms symbolic of human feeling.
I am very depressed and deeply disgusted with painting. It is really a continual torture.
Hollywood is like being nowhere and talking to nobody about nothing.
If, when you wake up in the morning, you can think of nothing but writing . . . then you are a writer.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
I grew up in what you might call a relentlessly creative household. We were given art supplies, music supplies... Our mother knew enough to get us started and then stand back and not meddle. My parents never said to us, 'Don't you think you'll need something to fall back on?' They acted as though creativity was completely normal.
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