If language is lost, humanity is lost. If writing is lost, certain kinds of civilization and society are lost, but many other kinds remain - and there is no reason to think that those alternatives are inferior.
Robert BringhurstRead
Typography is the craft of endowing human language with a durable visual form, and thus with an independent existence. Its heartwood is calligraphy - the dance, on a tiny stage, of the living, speaking hand - and its roots reach into living soil, though its branches may be hung each year with new machines. So long as the root lives, typography remains a source of true delight, true knowledge, true surprise.
Interpretation
Typography transforms written language into a visually enduring form, reflecting both tradition and innovation.
In this quote, Robert Bringhurst highlights the significance of typography as an artistic craft that bestows written language with visual permanence and vitality. He draws a parallel between typography and calligraphy, emphasizing its roots in human expression and the continuous evolution of its tools and techniques, suggesting that as long as this foundational connection exists, typography will continue to inspire and enlighten.
In practice
During a design seminar focused on print media, this quote can be used to illustrate the importance of typography.
If language is lost, humanity is lost. If writing is lost, certain kinds of civilization and society are lost, but many other kinds remain - and there is no reason to think that those alternatives are inferior.
Typography exists to honor content.
In a world rife with unsolicited messages, typography must often draw attention to itself before it will be read. Yet in order to be read, it must relinquish the attention it has drawn. Typography with anything to say therefore aspires to a kind of statuesque transparency. It's other traditional goal is durability: not immunity to change, but a clear superiority to fashion. Typography at its best is a visual form of language linking timelessness and time.
When you think intensely and beautifully, something happens. That something is called poetry. If you think that way and speak at the same time, poetry gets in your mouth. If people hear you, it gets in their ears. If you think that way and write at the same time, then poetry gets written. But poetry exists in any case. The question is only: are you going to take part, and if so, how?
Poetry, I'm often told, is something made of words. I think it really goes the other way around: words are made of poetry.
Preparing a character is the opposite of building-it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore.
Poetry seems to be the only weapon able to beat language, using language's own means.
I have had three masters, Nature, Velasquez, and Rembrandt.
I always wanted to be a designer. I read books on fashion from the age of 12.
There is also poetry written to be shouted in a square in front of an enthusiastic crowd. This occurs especially in countries where authoritarian regimes are in power.
If you already have a piece of music ingrained in your body, why would you not play it?
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