What the people are within, the buildings express without.
Louis SullivanRead
But the building's identity resided in the ornament.
Interpretation
The quote suggests that the essence of a building is captured through its decorative elements.
Louis Sullivan emphasizes the importance of ornamentation in architecture, arguing that a building's true character and identity stem from its decorative features. This perspective highlights how aesthetic details contribute significantly to the overall perception and significance of architectural design, suggesting that beauty and art are integral to the essence of any structure.
In practice
In a lecture about architectural history, one might quote this to discuss the role of ornamentation.
What the people are within, the buildings express without.
Once you learn to look at architecture not merely as an art more or less well or more or less badly done, but as a social manifestation, the critical eye becomes clairvoyant.
Every building is like a person. Single and unrepeatable.
How strange it seems that education, in practice, so often means suppression: that instead of leading the mind outward to the light of day it crowds things in upon it that darken and weary it.
The architect who combines in his being the powers of vision, of imagination, of intellect, of sympathy with human need and the power to interpret them in a language vernacular and time--- is he who shall create poems in stone.
It was the spirit animating the mass and flowing from it, and it expressed the individuality of the building.
Songwriting wasn't my gift. I think you have to cultivate a gift; you have to practice and develop craft around your gift so that you can execute it in more convenient, efficient ways.
As industrialization provided social uses for the operations of the photographer, so the reaction against these uses reinforced the self-consciousness of photography-as-art.
The cut of a garment speaks of intellect and talent and the color of temperament and heart.
At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.
I'm very aware of the presence of a reader, and that probably is a reaction against a lot of poems that I do read which seem oblivious to my presence as a reader.
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.
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