What the people are within, the buildings express without.
Louis SullivanRead
But the building's identity resided in the ornament.
Interpretation
The quote suggests that the essence of a building is captured through its decorative elements.
Louis Sullivan emphasizes the importance of ornamentation in architecture, arguing that a building's true character and identity stem from its decorative features. This perspective highlights how aesthetic details contribute significantly to the overall perception and significance of architectural design, suggesting that beauty and art are integral to the essence of any structure.
In practice
In a lecture about architectural history, one might quote this to discuss the role of ornamentation.
What the people are within, the buildings express without.
Once you learn to look at architecture not merely as an art more or less well or more or less badly done, but as a social manifestation, the critical eye becomes clairvoyant.
Every building is like a person. Single and unrepeatable.
How strange it seems that education, in practice, so often means suppression: that instead of leading the mind outward to the light of day it crowds things in upon it that darken and weary it.
The architect who combines in his being the powers of vision, of imagination, of intellect, of sympathy with human need and the power to interpret them in a language vernacular and time--- is he who shall create poems in stone.
It was the spirit animating the mass and flowing from it, and it expressed the individuality of the building.
It's the spectator, and not life, that art really mirrors.
I'm a storyteller - that's the chief function of a director. And they're moving pictures, let's make 'em move!
The number of people writing poems is vast, and their reasons for doing so are many, that much can be surmised from the stacks of submissions.
A good painting to me has always been like a friend. It keeps me company, comforts and inspires.
A good cook is like a sorceress who dispenses happiness.
The emotion of beauty is always obscured by the appearance of the object. Therefore, the object must be eliminated from the picture.
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