The work an unknown good man has done is like a vein of water flowing hidden underground, secretly making the ground green.
Thomas CarlyleRead
The cut of a garment speaks of intellect and talent and the color of temperament and heart.
Interpretation
This quote emphasizes how clothing reflects a person's intellect, talent, and emotional state.
Thomas Carlyle's quote suggests that the design and style of the clothing we choose are not merely superficial; they reveal deeper qualities about our personality, including our intelligence, creativity, and emotional disposition. The 'cut' of a garment symbolizes the thought and skill behind it, while its 'color' reflects our inner feelings and character. Thus, fashion becomes a form of self-expression that communicates who we are to the world.
In practice
During a fashion seminar, one might use this quote to illustrate how clothing choices reflect personal values and character.
The work an unknown good man has done is like a vein of water flowing hidden underground, secretly making the ground green.
Thirty millions, mostly fools.
There is a great discovery still to be made in literature, that of paying literary men by the quantity they do not write.
For the superior morality, of which we hear so much, we too would desire to be thankful: at the same time, it were but blindness to deny that this superior morality is properly rather an inferior criminality, produced not by greater love of Virtue, but by greater perfection of Police; and of that far subtler and stronger Police, called Public Opinion.
Enjoying things which are pleasant; that is not the evil; it is the reducing of our moral self to slavery by them that is.
Clean undeniable right, clear undeniable might: either of these once ascertained puts an end to battle. All battle is a confused experiment to ascertain one and both of these.
In writing, I apply my feminine side and respect the mystery involved in creation.
As a young person, and I know itβs hard to believe that I was shy, but you could take your camera, and it would take you to places: it was like having a friend, like having someone to go out with and look at the world. I would do things with a camera I wouldnβt do normally if I was just by myself.
Why, if 'tis dancing you would be, There's brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God's ways to man. Ale, man, ale's the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world's not.
I don't start a film with the heroine but with the cinema subject. If there is a woman in the story, she has to be of a particular type. It's not as if I start with Madhuri Dixit and then think what kind of film.
It is comforting that travel should have an architecture, and that it is possible to contribute a few stones to it, although the traveller is less like one who constructs landscapes -- for that is a sedentary task -- than like one who destroys them. . . . But even destruction is a form of architecture, a deconstruction that follows certain rules and calculations, an art of disassembling and reassembling, or of creating another and different order.
I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
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