If you send up a weather vane or put your thumb up in the air every time you want to do something different, to find out what people are going to think about it, you're going to limit yourself. That's a very strange way to live.
Jessye NormanRead
There is a lot of propaganda about opera singers not being able to act. That's not necessarily true and hasn't been true for a very long time. And certainly there were those instances when singers were told they need to fit into a certain size dress. Of course, women. Men? They just make the costume bigger.
Interpretation
Opera singers can act, challenging stereotypes about their abilities.
Jessye Norman addresses the common misconception that opera singers lack acting skills, noting that this stereotype is outdated. She highlights the issues of body image and different standards imposed on women and men within the industry, emphasizing that talent encompasses both vocal and acting prowess, and that the art form continues to evolve beyond rigid expectations.
In practice
In a discussion about the diverse skills required in the performing arts.
If you send up a weather vane or put your thumb up in the air every time you want to do something different, to find out what people are going to think about it, you're going to limit yourself. That's a very strange way to live.
My parents said to us, practically on a daily basis, that we were as good as anyone else on this earth, and that we would simply have to work harder in order to show that.
Problems arise in that one has to find a balance between what people need from you and what you need for yourself.
I am grateful that my horizons were not narrowed at the outset.
As for my voice, it cannot be categorised - and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range.
It is still more likely that a woman's power would be seen as aggression, and a man's power would be seen as assertion.
As far as I was concerned, it was the absence of women in the poetic tradition which allowed women in the poems to be simplified. The voice of a woman poet would, I was sure, have precluded such distortion. It did not exist.
The root of any film project for me is this inner need to express something. What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
Painting is not made to decorate apartments. It's an offensive and defensive weapon against the enemy. (about Guernica).
I wonder if I don't give too much of myself to writing: I am always half where I am; the other half is feeding the furnace, kick-starting the heat of creativity. I am making love with someone but at the same time I'm noticing how this graceful hand across my belly might just fit in with the memory of lilacs in Albuquerque in 1974.
I believe that basically you write for two people; yourself to try to make it absolutely perfect; or if not that then wonderful. Then you write for who you love whether she can read or write or not and whether she is alive or dead.
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