The essential elements of singing are voice, musicianship, and story. It is the rare artist that has all three in abundance.
Linda RonstadtRead
Songwriting wasn't my gift. I think you have to cultivate a gift; you have to practice and develop craft around your gift so that you can execute it in more convenient, efficient ways.
Interpretation
Gifted talent must be nurtured through practice and skill development.
In this quote, Linda Ronstadt emphasizes that natural talent alone is not sufficient for mastery. Instead, she believes that one must actively cultivate and refine their abilities through consistent practice and craftsmanship to express their artistic visions effectively.
In practice
This quote can be used during a creative writing workshop to inspire budding songwriters about the importance of skill development.
The essential elements of singing are voice, musicianship, and story. It is the rare artist that has all three in abundance.
I don't record (any type of genre of music) that I didn't hear in my family's living room by the time I was 10. It just is my rule that I don't break because ... I can't do it authentically ... I really think that you're just hard-wiring (synapses) in your brain up until the age of maybe 12 or 10, and there are certain things you can't learn in an authentic way after that.
I miss singing every day. I can't sing anymore. My voice doesn't work. I have Parkinson's disease, and it sometimes takes my words away from me.
I first knew Laurie Lewis by her considerable reputation as a fiddle player and a writer of songs. When an opportunity came along to sing with her I seized it. Getting to know her as a singer and a person has been pure pleasure. Her voice is a rare combination of grit and grace, strength and delicacy. Her stories are always true.
Ninety-nine percent of singing is listening and hearing, and so then 1 percent of it is singing.
Ninety-eight percent of the singing I did was private singing - it was in the shower, at the dishwasher, driving my car, singing with the radio, whatever. I can't do any of that now. I wish I could. I don't miss performing, particularly, but I miss singing.
Like a mermaid in sea-weed, she dreams awake, trembling in her soft and chilly nest.
The real joy is in constructing a sentence. But I see myself as an actor first because writing is what you do when you are ready and acting is what you do when someone else is ready.
Part of any book is establishing the rules at the end of the world. My first book, 'The Intuitionist,' takes place in an alternative world where elevator inspectors are important, so you have to establish rules, and part of that is, How do people talk? How do they behave?
When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.
I was obsessed with the idea that no two sounds on 'Oxygene' should ever be exactly the same. I wanted a heartbeat feel, something human.
Poetry takes courage because you have to face things and you try to articulate how you feel.
Subscribe for the occasional hand-picked quote. No noise.